Posted in Business Side of Writing, The Nitty Gritty of Children's Writing, You Are Not Alone

Are Listserves a Service or a Waste of Time?

It depends on you and on the listserve.
cat clockThere are usually several types of people on a listserve: posters and lurkers. Posters are the ones that keep a listserve alive. They ask questions. They share information of interest to the group. They answer other people’s questions. They encourage others. They share ideas. Lurkers are the people who are reading, but not participating in the conversation. They don’t comment, nor start new topics, nor share good and bad news. Does this mean they can’t get anything out of the posts? Of course not. They can glean lots of information from what others are saying. But…if they have a question and don’t ask it on the listserve, how will they get it answered?
One of my friends had been lurking on a listserve and because I “out”ed that she was there (she had invited me to it), she decided she’d better introduce herself. Nervously, she wrote a post of intro and commented on a topic that the group had been discussing. She asked me to look over her post before she sent it. “Is it okay?” she asked. “Definitely,” I told her. “Go ahead and post.” She did, and guess who commented?! Andy Boyles of Highlights. Just by making an intelligent comment on a listserve she had a short conversation with an editor.
By chatting with others, I’ve also made friends on listserves. This Saturday I get to meet one friend face-to-face for the first time. Is that cool or what?
Listserves come in a variety of kinds: regional, topic or genre, general writing, organizational. What’s the right group for me, may not be the right one for you. I like trying out a listserve. It’s like going to a club meeting. If you enjoy the people you meet and the topics of conversation, you’ll come back. If not, you won’t. If your focus changes, you may need a new listserve and may let an old one go.
They can become timewasters if you are involved either in ones that are very busy with many many conversations, or if you’re involved in too many listserves. I like getting my listserves in digest format versus individual emails. I can scan the topic headers and skip any that aren’t of interest to me. It also helps me limit the time spent.
So how do you find listserves? Most of the ones I participate in were by invitation or through a writing organization. But you can also find them by searching yahoo or google groups. Here are some I found that way:
childrensbookandarticlecritiquing – the title says it all
Childrens-FandSF-Writers – the F stands for fantasy and obviously SF is Science Fiction
childrens-writers – a discussion group
childrenswriterstoday – a forum for writers, poets, illustrators, editors and publishers of all genres in the juvenile to teen market to announce their latest news, reviews, columns, books and publication works
fantasyweavers – an online critique group for writers of middle-grade and young-adult fantasy and science fiction
internetchildrensstories – this is a club devoted to writers of children’s stories and their readers
Northwest Independent Writers Association – for writers of any kind
When searching make sure you check the statistics (latest activity; members; and if it is important to you, whether the group is moderated or not). Some groups will be open and others closed. Some groups may want to know something about you before adding you; others have no vetting process.
If you’ve never tried one, ask other writers or illustrators what listserves they like. Then join one or two. Lurking at first is okay, but remember you’ll get more out of it, if you post, too.

image courtesy of morguefile.com

Posted in Business Side of Writing, Guest Post, Market Prep, The Nitty Gritty of Children's Writing

How to Start Querying an Agent

letterbox.jpgguest post by author Jan Fields

First, of course, you need to find an agent you feel good about and learn what the agent wants. My favorite place for this is www.literaryrambles.com by Casey McCormick. If you look on the left-side column on Casey’s site, you’ll see agents grouped by what they represent. She’s spotlighted many agents and looked at what each agent represents and how the agent wants to be contacted. It’s really a treasure trove of help.

Now, after you’ve picked an agent. Try a Google search with just that agent’s name. Sometimes you can pull up even more information to help you really know what the agent wants to see from you (and sometimes the agent even has a blog where she/he puts queries that really snagged his/her attention. These are really priceless examples because they show how to effectively pitch to that agent. If the specific agent you’ve chosen doesn’t have that…poke around in Casey’s list to find some who do. It’s invaluable to check out examples.

Now, in the query/pitch itself, you can find wonderful, wonderful help on Nathan Bransford‘s site. Nathan isn’t agenting anymore but he has spent a massive amount of time helping writers to do this stuff right.
Here’s his query formula.
And help with formating an email query.
Really, you’ll find a ton of help on Nathan’s site.

Former agent who has given tons and tons of help is Mary Kole who has a site called Kidlit.com. There she has: help with queries and more.

Agent Jennifer Laughran has a great bit about your author bio that goes in your query.

So, that’s a good bit of reading but it should really get you going on your agent hunt. Good luck!


Jan’s Brief Bio

“Since my first magazine publication in the 1980s, I have been steadily writing for money in some form. Today I have over twenty books in print and still more in the pipeline – books for children and adults. I’ve also written for magazines, educational publishers and even a toy company! Writing is the only thing I’ve ever done really well that didn’t eventually become more like work than fun.”
To read more go to Jan’s site.

Jan is also the editor of the Writing for Children blog from the Institute of Children’s Literature. If you aren’t getting it, you’re missing out!

Thanks to Clarita on morguefile.com for the above image.

Posted in Business Side of Writing, Promotion, The Nitty Gritty of Children's Writing

Going Back to School

kidsinclass.jpgHave you ever thought of going back to school? To elementary, middle or high school that is? Many authors and/or illustrators supplement their income by doing school visits. But money definitely should not be your only reason to go back to school.
Why else do school visits?
• You like to share with young people
• A desire to learn and grow
• To be encouraged – there really are kids out there who read!
• Connection with your audience
• To gain speaking experience
• For inspiration and ideas
How do you get connected with a school?
• If you have students (your own children, grandchildren, nieces or nephews) in school, volunteer to talk to their class about your art and/or writing.
• If you live near a school, talk to the librarian, a teacher or a PTA member, about the school and ask if they have any special programs to encourage creativity. They may have, or participate in, the following and be looking for help:
– – – Young author programs
– – – PTA/PTSA Reflections
– – – Art programs
– – – Reading tutors
– – – Career days
• If you’re visiting or live in your hometown, call or write to the schools you attended and ask if they’d like to have a “homegrown” guest speaker.
• Talk to librarians and bookstore owners; they may know of schools looking for authors and illustrators.
• Check with local writing organizations; many have speaker lists they provide to the community as a service.
• Ask friends, business associates, and acquaintances for information about their children’s schools. Tell them why you’re interested.
• Look on the internet for information about local schools.
How do you plan a program?
• Start by asking yourself questions, such as:
– – – “What is one thing that excites me about creating?”
– – – “How did I get started down the creative path?”
– – – “What was hardest for me to learn, but when I got it, it was like the proverbial light bulb coming on?”
– – – “Where do I get my ideas?”
– – – “Is there something I do that is unusual or few others are doing?”
• Plan and prepare for your talk…
– – – Pick an area or two from your starter questions–something you feel strongly about–and outline what you could tell a class.
– – – Consider whether you need to expand your knowledge with research or narrow your topic more.
– – – Think of examples and personal anecdotes to illustrate what you are talking about.
– – – Adjust outline accordingly.
• Think about activities you can do with the students that would relate to your subject:
– – – question and answers
– – – brainstorming
– – – writing or illustrating exercises
– – – sharing illustrating or writing exercises
– – – reading a section of a story
– – – having students act out a story
• Think about visuals – what can you show during a talk?
– – – Resources/tools you use when working
– – – Pictures
……….Content: personal pictures (you as a child or your studio/office now); stages of book production or illustration; information you researched doing your book
……….Format: slides; overheads; videos (often classrooms have televisions);PowerPoint presentations (you may need to provide your own computer and hookup to a television)
– – – Artifacts
……….Objects that inspire you
……….Objects used in a story
Practice. Planning done, you’ll obviously want to practice (outloud!) what you’ll say, how you’ll say it and how you’ll use your visuals to best effect.
Don’t over commit. Agree to speak to one class and see how it goes. You may decide you need to make changes in your program before trying it out again. Learn from each time you speak. Feel free to ask teachers for feedback and recommendations on what you can improve.
How to keep control in a classroom
• Require a teacher to stay
• Be prepared for smart remarks, students talking while you are talking, items being dropped, and other interruptions. Here are a few ways that work for me:
– – – Saying an obvious joke myself, rather than leaving it to the class “show-off” to spout off, seems to keep the student’s attention.
– – – Stop talking and wait for the room to quiet.
– – – Ask someone talking out of turn to answer a question.
– – – Move close to students talking.
In elementary classrooms, student’s names are often on their desks, making it easy for you to call on students by name.
Be prepared with answers for questions students often ask. Typical questions include:
– – – How much money do you make?
– – – How long did it take you to write or draw the pictures for your book?
– – – How old are you? (It’s not rude–adults ask them this question all the time!)
– – – Why do you illustrate or write for kids?
How much should you charge?
• Until you have a bit of experience, you may want to charge nothing, or consider an exchange such as “may I observe your students for an hour if I speak to them for an hour?”
• Speaking fees vary based on a number of factors:
– – – How well known you or your books are
– – – Your speaking experience and how well audiences receive you
– – – What schools in your area typically pay
– – – Length of presentation (Is it an hour presentation or will you be presenting all day? If presenting all day, how many times will you speak?)
– – – What other authors/illustrators charge in your area
– – – Travel requirements
– – – Audience (one classroom or the whole school in an assembly)
• Don’t forget prep time when thinking of fees. A day spent in a school can require a day or more of preparation.
• If possible, have schools pay for supplies used in classrooms (i.e. photocopies of a handout, drawing paper) or include the expense of these items in your fees.
• If you need to travel for a visit, you may want to get reimbursed for mileage, have airfare, hotel and food costs covered, or charge more.
• Be sure to specify how many presentations you’ll do per day and how long each presentation will be when discussing your fee.
Should you have a contract or written agreement with the school?
• YES! This will cut down on painful misunderstandings.
– – – Even if you are volunteering, a letter confirming your agreement which includes what you’ll be doing, length of program(s), date(s), time(s), etc. is a necessity for a successful visit.
– – – If you are getting paid, some schools provide a written contract that each signs. Others won’t, so be prepared to provide a contract that spells out ALL details. You can get sample contracts online, from books or from other experienced speakers.
What if you feel you’ve failed?
Consider these thoughts.
• Was your audience the right age group for what you wanted to teach/share? An older or younger group may be a match when this one wasn’t.
• Does your talk need more pep? Or do you need more audience participation? Take what worked well and try it again. Change what didn’t work.
• Perhaps you merely need more practice. Try it out on someone you trust. Volunteer again.
• Consider providing a feedback form to the teacher so you’ll know what someone else thought of “what you did.”
• Remember, kids are sometimes “too cool” to show they’re enjoying themselves. One author reported speaking to a class of seventh graders who were slumped in their seats throughout her talk. She thought they were bored stiff. Fortunately, when the class was dismissed, she overheard one student say to another, “That was really interesting.”
Going back to school as a guest speaker is challenging and is not for everyone. But many who have given it a try have found joy in communicating what they know with the next generation. Plus it is a way to augment your writing income.


School Visits Experts is a great resource by author Alexis O’Neill. She also writes articles for the SCBWI Bulletin on the topic.


Posted in Business Side of Writing, Guest Post, The Nitty Gritty of Children's Writing, Writing for Adults

How to Evaluate a Good Blog Gig and Earn What You Deserve

Guest post by Jennifer Brown Banks:
Last year, when I landed a blog gig that boasted 100 bucks monthly for 300-word posts, I was tickled pink. Easy money I thought to myself.
Not only did this project seem exciting and effortless, scoring it, along with my other “regular” blogging clients, meant I could save time, effort, and angst from scouring weekly job boards and networking feverishly for potential leads.
But my joy was short lived. Not long after accepting this job, I realized that not all blogging gigs are created equally.
Blog listings are increasingly abundant on Craigslist, Freelance Writing Jobs, Blogging Pro, and Pro Blogger.net, to name a few. But what should you look for in “reading the fine print?” What makes for a profitable pursuit? Here are a few things you need to consider in assessing a blog job offer or ad:
5 Key issues to consider
Keys_Coloured1. The scope of your responsibility—This may seem like a no-brainer, but trust me, it isn’t. In other words, will you be required to do research? Will you have to make your posts Search Engine Optimized? Provide your own topics? These are things to consider. $50 per post may seem like a lot initially, but if the subject matter requires extensive research, tech troubles, and red tape, you’ll end up with very little earnings for your efforts.
2. The amount of expertise required—Some blog jobs call for you to know different content management systems to post your own work (i.e WordPress, Scrives, Blogger); with others, the blog owner does the actual posting upon approval. Additionally, some projects require you to provide your own photos, to be versed in things like anchor texting and social media. Make sure to be compensated equitably for your skill sets and your time. Just like you would in corporate America.
3. The method of payment—Will it be based upon performance metrics, like per clicks? Readership levels? Readers’ votes? Or perhaps per post? Per word? Be clear on the terms and how you’ll collect your pay. If it’s vague, steer clear.
4. What’s the standing of the blog and its owner? Is it a highly ranked site? Popular within its niche? Many ad placements? These tell-tale signs will determine how successful it is and the likelihood of future pay. For instance, I blogged for one client for a couple of weeks who decided to “close shop” because things were not materializing the way he had expected. If I had done my homework, I might have known of his struggles to stay afloat and devoted my energies elsewhere. As they say, “time is money.”

5. Interaction level with audience
—Creating blog posts can also carry with it the pleasant but time consuming task of
responding to readers and answering related questions. Will you be allowed to make a general statement of “thanks”, to bypass commenting, or are you expected to address each one individually? Depending upon your time constraints and personal blogging style, this may or may not be a concern.
As with any job, the proper “fit” is important for longevity, success, and career satisfaction. So keep these tips in mind to make the most of your blogging experience, and to make the most money for your efforts.


BIO:
Jennifer Brown Banks has blogged for many of the top, award-winning sites such as PROBLOGGER, Technorati, Daily Blog Tips, and Search Engine Journal. When she’s not blogging, she’s likely in hot pursuit of a good bargain sale.
Thanks, Jennifer, for generously sharing this information!

Posted in Business Side of Writing, Promotion, The Nitty Gritty of Children's Writing

Dragged to the Podium

scared dog
“I’m a writer, not a speaker,” my friend said when asked to make a presentation at a library. Many of us would agree with her. We write in solitude to an unseen audience and we like it that way. The written word expresses what we have to say leaving us no desire to stand behind a podium and talk. Yet many of us are invited to speak because of our writing. How can we deal with these requests? For me the public speaking journey has taken unexpected roads down scenic byways and I not only survived the trip, but have grown to enjoy making presentations. Let me share with you some of the things I have learned along the way.
First and foremost: Know Your Topic (KYT). We can all tell the story of the funny thing that happened yesterday, because we know what happened. The more we know our topic the more we have to say and the more comfortable we’ll be saying it.
“But what could I possibly speak about?” someone wails. The person inviting you will sometimes suggest a topic, but often they allow you to choose your own topic. There are three possibilities: what you care about; what you know well; or, what you want to learn more about.
What You Care About
Do you have a passion for your writing? Or the method you use to create, or edit? Do you have a unique way of keeping your office organized? Do you have strong beliefs about a topic? Have you had a dream come true? Then talk about one of those things.
What You Know Well
Do you know your genre? Have you studied the markets? The styles and techniques? Do you have favorite books you like to read? Or do you know what inspired you to write? Of course you do. That means you can talk about these subjects.
What You Want To Learn More About
Do you like to do research? Are there topics you would like to study? Are you trying new areas? You don’t have to be an expert to talk about what you’re learning.
The Audience
This is not like your first twelve years of school, where you were given a topic that you didn’t know or care about, and you had to present to classmates who cared even less. Remember, you have been invited to speak before this group because of your writing. It’s doubtful many in the audience were forced to attend. Even in school settings, students are usually interested in a special guest because it’s outside their normal routine.
Many people like to meet someone who does something they can’t do. Others are interested in how you got where you are. They may want to understand how you do what you do. Or they may be looking for help with their own writing or want to discover whether writing is for them.
“But I’ll be so nervous,” someone says. Yes, but there are methods to help.
Toning Down the Butterflies
Again, the first step is KYT. Knowing what you want to say, gives you confidence.
Prepare. Whether you write out a speech, outline your talk, or do note cards, plan what you are going to say and how you want to get it across. After you’ve got an initial draft, ask yourself if this is the best organization. Have you left anything out? Is every section necessary? Do you have quotes, facts, or anecdotes to reinforce your message? Have you answered the obvious questions? Is there something you really don’t want to leave out? Place it early in your talk and/or mark it with emphasis. Reorganize until you are happy with what you’ll say. I usually have a couple sections of my speech that I mark “could cut if run out of time.” Plus I sometimes have a filler activity is my speech goes too quickly. Also you’ll want to carve out time for questions.
Plan your props. Will you be using physical items to show and tell? Show slides, overhead transparencies, or a PowerPoint presentation to illustrate your talk? Make sure you discuss with the person who invited you the feasibility of visuals in the setting. Will you have handouts? Find out how many you’ll need or ask if they can make copies for attendees. Are you planning an audience participation activity? Or none of the above.
Practice. I’m not suggesting you memorize, but you do want to be familiar with what you’ll say. You’ll also want to have some idea of how long your speech will take. Is there a word or ordering you stumble over? Perhaps you need to change it.
Think about gestures you might want to put with your talk. Or at the least think about where you will put your hands so you’re not worried what to do with them. If you stand with your arms held loosely away from your body versus tight up against your sides, you’ll be more relaxed. Practice looking up.
Practice speaking clearly and slowly. Practice pauses and where to breathe. I often practice in front of two different audiences: my dog–who has almost quit giving me strange looks–and a mirror. The former gets me comfortable with hearing my voice out loud. The latter helps me remember to smile, raise an eyebrow or whatever is appropriate. Both help me watch out for filler words and nervous motions.
If you decided to use props, practice how to use them without turning your back on the audience. If you find something to difficult to use, get rid of it. Will you be speaking into a microphone? Find somewhere to practice with one. “Sound” people are usually willing to explain the intricacies of microphones, how close to be, and other tips, such as no tapping the microphone to see if it is on.
Once you’ve really practiced–and I know this is a suggestion we all hate–video yourself and watch it. Where you cringe at what you’ve done, you know you need to change. Ugh. This is much worse than a critique group.
The day before. I like putting my speech notes in plastic pockets in a three ring binder. This means I can’t drop the notes and get them out of order; it’s very easy to find my notes amongst my supplies when I arrive; and it’s really easy to review. I go over my speech again, reminding myself of what I plan to say. If there’s something minor I want to add, I might use a sticky note. Don’t make major changes on your speech now or the day you talk!
Pack up your props, handouts, notes, laptop and cords and cables or usb drive for computer presentations, cough drops, tissues, etc. I like using a large rolling laptop case so everything is together. If you bring your own projector, make sure you have all cables, connectors and cords.
Now go do something else! Refresh yourself and forget about tomorrow’s speech. Do something you enjoy. Go to bed at a decent time and get a good night’s rest.
Keep Control of the Butterflies
On the day of your speech, make yourself as comfortable as possible. Choose comfortable clothes and shoes to wear. You don’t want to worry about your feet hurting or being too hot or cold, although, I’m rarely cold when I speak. Nervousness is more likely to cause me to perspire with heat, so I wear a top or dress that won’t show sweat marks under the arms as well as one that won’t make me feel too warm. But I also usually have a sweater “just in case.”
Be prepared before you head to your engagement. Take water, a cough drop or two, tissues, and anything else that you’d be frustrated to be without. Double-check that you have your notes, plus any other necessary supplies. Take the directions to the venue if you’re unfamiliar with the location; also take your contact person’s name and phone number with you. Leave with plenty of time to arrive at your destination–there’s nothing worse on nerves than rushing in late.
Right before speaking is when the nastiest nerves hit. Try to ignore that sick feeling in your stomach and remind yourself that you’re prepared. Sometimes it helps me to remember that I’ll probably never see these people again. Or think about something else, preferably something pleasant! And remember that once you get started, nerves usually settle down.
When you stand up to speak, take a moment to get yourself organized. Smile at the audience. Breathe! Remember they came to hear you or hear this topic because they are interested.
Pretend that gal sitting in front of you is your next best friend. Think of your nerves as a revved up engine running around your body giving you extra energy to help you speak up. Focus on a friendly looking face. Think how unscary it is to talk to one person. Open your mouth and start talking to him.
Fixing Problems as You Go
If you feel yourself racing through your sentences, force yourself to slow down. Take a deliberate breath. Consider any nods or smiles as signs of encouragement–the audience is not your enemy.
Have a handout? People often cannot pass papers and listen at the same time, so be prepared to repeat anything you say while handing items out. Or don’t speak while papers are being passed.
If you lose your place, pause and find it. You could say something like “before I go on, I want to make sure I haven’t left anything out” if you don’t feel comfortable with a moment of silence. Or you could ask “does anyone have any questions so far?” Although, I prefer asking audiences to “save all questions to the end.”
Need a drink? Pause and take one. If you need to blow your nose, turn your back on the audience to do so, but watch out for lapel mikes; they’ll amplify that noise, too.
Most audiences are respectful of speakers, but occasionally you’ll have a problem to deal with. Two people in the back of the room whispering? Stop what you’re saying and look at them. Usually, they quickly become aware of your attention and will be silent. If not, ask them, “Did you have a question?” If they continue talking while you talk, politely ask them to leave the room as they’re making it hard for everyone else to concentrate. Sometimes someone asks a question that is totally off topic or deliberately heckling or inappropriate. It’s okay to tell them that it is something you’re not prepared to discuss. Or say, “let’s talk about that when this session is done.”
Any Questions
Don’t assume when no one jumps in with questions that there are none. Sometimes people need a moment to formulate questions. Or sometimes they need a prompt such as “was my explanation of _____ clear enough?” Don’t despair if there are few questions. You may have covered the topic so thoroughly no one can think of anything else to ask. Also, some people prefer to ask questions privately.
Closing
Thank them for listening, or inviting you, whichever seems more appropriate. If they applaud, smile.
If at First You Don’t Succeed
Perhaps you just need more practice. Just like our writing usually needs more than one draft, your speaking can improve with work. Give it time.
You may also want to try a different type or size of audience. Maybe you’d be more comfortable talking to women only, or being in a smaller setting. I’ve found my favorite age to talk to is 4th graders–one class room at a time–and to other writers.
Try something different. A reading, a skit, or whatever you can dream up.
Sit in on some other writer’s talks. Something that works for someone else may work for you. Check out public speaking classes, books and videos. Recently my husband has been sharing tips from the book called Confessions of a Public Speaker (O’Reilly, 2010) by Scott Berkun. I plan to read it myself. Ask other writers how they solve a problem you’ve come across. Check out TED talks–TED is a nonprofit organization that shares ideas worth spreading–a great place to be inspired.
Some writers prefer the expressway of speaking to large groups, while others like the country lane of a small group in a cozy bookstore circle. But you won’t know what works best for you unless you take a few speaking trips on your own.