Posted in MG Novels, So Many Good Books

A Good Kind of Trouble

Marvelous Middle Grade Monday

When I started reading A Good Kind of Trouble (Balzer + Bray, 2019) by Lisa Moore Ramée, I thought, here we go again with another friends-changing-when-they-enter-Junior-High story. But it’s so much more than that. It’s about your own identity and how you don’t have to fit in a box. It’s about getting rid of assumptions. And standing up for what you believe in. And, yes, changing friendships.

Twelve-year-old Shayla wants to avoid trouble, but she discovers that sometimes you have to be trouble. Whether it’s in a relationship with friends or standing up to others, Shayla learns how to do the right thing.

I love the first line: “I’m allergic to trouble.” There’s strong seventh grade voice and humor in this story. This book is a Walter Dean Meyers Honor book, and can also help explain why Black Lives Matter.

Lisa is also the author of Something to Say (2020) and has a middle grade fantasy called Mapmaker coming in 2022. Read more about her here.

I understand that with minimal text there is a temptation to sell the story by filling in the blanks, but I think if the root of the story is strong enough the pictures will come. A good illustrator will get what you’re trying to evoke without too much direction.
Stacy Innerst

I understand that with minimal

Posted in Business Side of Writing, Market Prep, The Nitty Gritty of Children's Writing, The Publication Process

Exciting News for Jasmine and Advice

Guest post on querying.

One of the Facebook groups I enjoy is Sub It Club. I learn from others, help others, and share in the ups and downs. I’m sharing this January 7th post by Jasmine A. Stirling with permission.

Hi everyone! I’m excited to announce that after querying in December, I received ten offers of representation, and am now represented by Alyssa Eisner Henkin at Birch Path Literary, the force behind books like Wonder, The Lovely War, and The Right Word.

Someone asked me on this forum if I have any suggestions for querying. One thing I would suggest is that you mention some recent projects the agent has done which you’ve read and enjoyed, and which fit well with your work, before you begin your pitch. It’s important for agents to know you understand who they are as an individual, and the kinds of projects they are passionate about. To get this information, I use a combination of Publishers Marketplace and Twitter. On Twitter, I get a sense for what projects the agent is enthusiastic about at the moment. 

Many of the projects listed in Publishers Marketplace are not yet out, so you don’t want to laud a book you obviously haven’t read. Sometimes I mention I’m looking forward to a book that has been announced in Publishers Marketplace but is not yet out. This shows the agent that I’m not just looking at Twitter or their website. They get the sense that I am familiar with industry news.

Take extra time and get familiar with the books the agent is publishing. Agents can tell if you are just querying everyone who might be remotely interested in your work.

Composing a good query letter and strategy takes time and research. Think through anyone you know who might be able to make an introduction. Don’t be afraid to network on Facebook. I did get an introduction through a cold request on Facebook to a very successful, closed agent, who subsequently made an offer.

And finally, this might not make me popular here, but I would take the advice you receive on groups like this with a grain of salt, even if they come from agented authors or moderators. The truth is, the rules of querying, receiving offers, and making choices, are more flexible than you might think. Everyone wants to make sure you find the right agent for you, including agents who are offering to work with you. 

Be respectful, be communicative about your timeline, be honest, but follow your gut and keep trying if you’re not getting the offers you want. There’s no secret police of agents who are going to kick you out of the club for anything you do. Just be a professional, and things will work out fine.

Good luck to everyone and Happy New Year!

Read more about Jasmine and her books on her website. You’ll definitely want to check out her delightful picturebook: A Most Clever Girl: How Jane Austen Discovered Her Voice.

Posted in Craft, The Nitty Gritty of Children's Writing

Chronology in Fiction

I always have to laugh at myself when a critique partner points out something in my writing that I usually catch in others’ writing. In this case, it was sentence chronological order. (Or time-order sequence.)

Usually it is clearer to write in a cause and effect order. Examples: The car behind us honked and Dad let up on the brake and drove off. When the dog barked to be let in, she opened the door. In each of these cases, the first action resulted in the person doing the second action. Pretty obvious.

But sometimes when we write, it’s easy to mess up. Here’s what I wrote in a picture book text: She started with Grampa Joe. She fixed up her hair special, put on her best outfit, and popped into his room. I told what the character was going to do—start with Grampa Joe—but showed what she did first before going into his room. My critique partner* wisely suggested: She fixed up her hair special, put on her best outfit, and popped into Grampa Joe’s room. Chronological order not only made the story stronger by reducing telling, but reduced word count from 21 words to 17. (Definitely an important factor in a picture book.)

I think chronology can especially become a problem when using the connecting word “as.” Example: He waved as the school bus pulled away. A reader will assume this is a simultaneous action. But look at this one: Snow fell from the tree as the wind blew. It could be simultaneous. However, thinking cause and effect, probably the wind made the snow fall. In a short sentence like this it may not make much difference, but I think it’s always worth considering whether a sentence or paragraph should be in chronological order.

Does that mean we should never write out of chronological order? Of course not. You’ll see beginnings of novels that foretell terrible things are going to happen. There will be flashbacks, especially in novels for teens and adults. Sometimes stories are written in multiple viewpoints and we see what happens in one character’s life, then move on to what happens in another’s life at the same time. Nonchronology may be used for the purpose of suspense, to reveal character backstory, or for worldbuilding.

But I think for the most part a sentence or paragraph should show the sequence of events in the order they happened.

*Thanks, Carol!