Posted in The Nitty Gritty of Children's Writing, Tools, You Are Not Alone

Retreat!

2015KSRetreat

Recently, I visited Kansas and Missouri friends for a writing retreat where we each worked on our own projects. Four of us were writing and one illustrating. Because this group used to write together once or twice a week, it was easy to fall into a comfortable rhythm. During meal times and evenings we chatted, played games, and chatted some more. Of course, we took breaks for bird watching, stretching our legs, seeing the fish in the pond get fed, etc.
One of the advantages of a retreat like this is limited cell service and limited household chores (only cooking and cleaning up after meals). That meant dedicated time to focus on work. I caught up on a bunch of rewrites I wanted/needed to do and moved forward in my WIP. I saw others doing research, writing, planning a future book, editing, drawing and painting. Work!
Another advantage of a retreat is the shared information. One gal is working on a low residency MFA in children’s writing through Vermont College of Fine Arts. She shared tidbits from lectures. We urged her to get her submission in for an award. We all encouraged another gal not to give up writing. And, of course, we exchanged information about good books–now my “to be read” list is even longer. ☺
A task I was doing was comp titles for a picture book I’d written. One friend asked me how I found them. “I just used Amazon,” I said. I showed her there was a lot of nonfiction on my topic, but only one fiction picture book and it was from the 1980s.
The same gal asked a question about her new Mac (she’s switched from PC) and the result was I and another made changes to our word doc default, too.
So, work, exchanging information, good friends, fun, food, all equaled a great time! The others enjoyed it too and we unanimously decided to repeat the retreat. THANK YOU, Heather Trent Beers, Kate Barsotti, Jenn Bailey and Lisha Cauthen. It was so much fun being with you all.
Recommendations for planning and enjoying YOUR personal creative retreat:

  1. 1. Choose people you trust and respect. Everyone at our retreat paid her agreed upon share. I love that my friends were considerate and said to the two of us with knee problems, “take the downstairs bedrooms.”
  2. 2. Don’t invite people who do drama. No one fussed about where she sat, slept, what she ate, sharing bathrooms, etc. People drank, or didn’t drink, alcohol as desired, but no one got drunk. A peaceful atmosphere goes a long way to make a productive retreat.
  3. 3. Plan at least two full days for work not counting arrival time and departure time. We arrived on a Friday afternoon and settled in and didn’t worry about serious work that day, although we talked about writing and the publishing business. (Of course!) This let everyone unwind. We left Monday morning at check out time–again since we were packing up, no creative work was done. Loved having two solid days of accomplishments.
  4. 4. If you’re not used to working with these people, agree on an informal schedule.
  5. 5. Bring some fun games or relaxing activities. But if someone wants to continue working when everyone else is recreating, no nagging.
  6. 6. Keep your group small enough that you can share a bed and breakfast or retreat cabin/vacation house and be the only guests.
  7. 7. Someone needs to be the point person to find and book a venue. We started planning two plus months in advance.
  8. 8. Decide whether wi-fi at your location is important to the group or not. We wanted it.
  9. 9. Share the food expense, meal planning, preparation and cleanup. The only problem we had was too much food. For example, ladies kept adding items to bring that weren’t on the agreed list, so we had duplicate snack foods, which returned home. (Or choose a venue that provides food, although you’ll still probably want snacks.)
  10. 10. Arrange carpooling because it’s a lot of fun to talk while driving, too.

My local writing group and I have been talking about a retreat. I think we need to quit talking and plan!

Posted in Business Side of Writing, The Nitty Gritty of Children's Writing, Tools

Poor Man’s Copyright, a Myth

image courtesy of jdurham on morguefile.com

file801246654450.jpgA number of years ago at a writer’s meeting the issue of “poor man’s copyright” was raised as a means to protect your works. Basically the idea is to put your work in an envelope, seal it, mail it and the postmark will “prove” when you wrote it protecting your copyright.
Recently, I heard chatter about this on a listserve, so I updated my research on this topic and am sharing it here.
One of the biggest flaws of this idea is that the postmark and seal prove something.

  • What is to prevent someone from mailing an UNsealed envelope to themselves? It has a postmark. But since it is unsealed, material can be placed in it at any time–2 months later, 2 years later, 10 years later, then sealed.
  • Sealed envelopes can be steamed open (and probably opened by many other methods that I don’t know), the material replaced with something else, then resealed.

Read what the copyright office itself has to say:

“When is my work protected?
“Your work is under copyright protection the moment it is created and fixed in a tangible form that it is perceptible either directly or with the aid of a machine or device.”

The Frequently Asked Questions page is very helpful resource. This page has “Copyright Registration of Books, Manuscripts, and Speeches.”
A book recommended by the Author’s Guild is The Writer’s Legal Guide by Tad Crawford & Kay Murray. It is in its fourth printing.
Here are some articles on this topic:
“Poor Man’s Copyright” by Peter Clarke
“Poor Man’s Copyright” by ©opyright Authority.com
“How To Copyright a Book” at Go-Publish-Yourself.com begins with this sentence: “Before learning how to copyright a book, you need to learn how not to copyright book.”
Want to know more?
Some authors may want to consider an intellectual property rights lawyer. I found some information on copyrights here at intellectual-property.lawyers.com. Here’s an interesting post with a Literary Agent Attorney FAQ from Literary-Agents.com.
And here’s a column on copyright written by Linda Kattwinkel, who is an intellectual property rights lawyer.
So now you know–poor man’s copyright, only a myth.

Posted in Craft, Inspiration, The Nitty Gritty of Children's Writing, Tools

What Do You Do When You’re Stuck?

image courtesy of veggiegretz on morguefile.com
file7101255704495.jpg
Stuck on your current WIP? Here are some things I do, plus exercises I’ve learned from other people.
If I’m not feeling my character for the current scene, I go back some pages and reread what I’ve already written to get the feel of his or her life.
I’m not an outliner, but I know my main character’s problem well and have an idea of how the problem might be solved. The stories don’t always end how I think they will–I believe that is true for outliners, too. In one work in progress…the kid thinks he is responsible for his mother’s death. At the end, he will realize he was not in control of whether she lived or died. He also will resolve (in his heart) the issue of having disappointed her the day she died. I don’t know exactly how it is all going to happen, but I keep putting him in situations where he has to face what he’s done, face his grief, his regrets.
Talk to your character. In a workshop at Oregon’s SCBWI conference in 2013, Agent Trish Lawrence (EMLA) shared about “nailing your teen in the corner” and finding out what’s going on under the surface. Ask questions on paper and record her answers. Ask “why” questions. Go to the dark places. Try to discover core truths and inner values.
Do research about your setting or your character’s hobby or interests, or problem. In a talk at the 2014 New York SCBWI Conference, author Elizabeth Wein said that uncovering details often provides inspiration. Read her guest post on Authority and Authenticity. Author/illustrator Judy Schachner shared something similar at the 2014 LA conference when she showed us how she uses a journal/scrapbook to paste in pictures and quotes and ideas for her picture book character. As an illustrator as well as a writer, she also draws sketches of her character and tries things out with him.
Go some place different (anywhere, e.g. a doctor’s office, a park, a store, a restaurant) and soak in the environs, then put your main character there and just start writing about him or her being there. Ask yourself, “What would he be thinking?” etc. Don’t worry about your plot, etc. Just see what comes out. Several of us got things that may go into WIPs out of this exercise from a talk by author Elizabeth C. Bunce at a Kansas SCBWI workshop.
Work on another project and let this one simmer until it is bubbling to come out of you… Since I usually have a number of projects I want to work on, this works well for me.
Keep showing up to write. “Good ideas come when we show up,” author Kate Messner said.* Kate has more writing tips on her blog.
Check for action in your story, especially if a middle grade novel. Editor Nancy Siscoe (Knopf) said, “Action is always better than inaction.”* She added that nothing is worse than characters who never do anything.
Be courageous. Keep trying new things. While speaking on courage to write great picture books, Editor Jeannette Larson* reminded us to “do things that might scare you” and to be flexible.
At the fall 2013 SCBWI Oregon retreat, Deb Lund challenged us to “Mine Your Memories“–especially those yucky ones! What hurt you? What scared you? What secrets did you have?
Sometimes writing the next scene just doesn’t seem possible. Write a later scene in the story and worry about how to connect them later.
Maybe you’re worried too much about length. Don’t worry about how long or short it is; just work on what happens next.
Ask yourself questions about your main character’s problem. What’s stopping him from reaching his goal? Or arriving at a solution? How can you make it worse before it gets better? How can you raise the stakes? Will she get what she wants? Once at a writer’s event, I heard someone say “push the main character off the cliff and see what she does.” 😉
What do YOU do when you are stuck?
*at the 2014 New York SCBWI Conference

Posted in Business Side of Writing, Craft, The Nitty Gritty of Children's Writing, Tools

BACK UP!

This phrase has so many meanings. “Back up” as in physically move backwards; we might tell someone to “back up” when they told us something we didn’t understand. We might ask someone if they had a “backup” – either a plan or duplicates of their computer files when it died. I say the Internet is “back up” after my connection has been down.

Back up is also an appropriate phrase to apply to writers.
Moving physically back is pretty obvious:
– we back up and reread for editing
– we go back to add necessary details or expand scenes
– we step back from our work to see it with a fresh eye.

Making “backups” is one we creative people often ignore.
We don’t like making backup plans. Can’t go to that event/conference after all? Agent A doesn’t like our story. What if the editor rejects the new book? What will we do next? Having a plan in place, makes it easier to keep moving forward.

Probably the scariest “backup” fault we have is not having duplicates of our computer files. Each time I heard of someone losing all their files due to a hard drive failure, I’d tell myself I’d work harder at backing up more often. Every time my goal of once a month quickly dissolved and I only backed up a couple times a year. If I was doing well.

In 2006, I decided to change that. For my birthday I asked for an automatic backup device. Attached to my computer, it backed up my files EVERY NIGHT. I wondered why I didn’t do it years ago…
But nothing is ever permanent in the world of computers. That device eventually failed. And I’d gotten a laptop, too. So I started saving everything from my desktop onto a usb thumb drive and copying it to my laptop. I did the reverse of copying any changes I made on the laptop back to the thumb drive and putting it back on my desktop.
file00043520561.jpgThat was great, but I worried about what would happen if my house burned down or someone broke in and stole all the electronics. For insurance, I got an online backup system–this was before people referred to storing items in “the cloud.” Again, that system eventually failed to work. (It saved files, but I couldn’t restore them anymore, so what was the point?)

Next, I was introduced to dropbox, which lets you store files online for free. Similarly to using a usb drive, it is a great way to transfer copies from one computer to another. Some people use dropbox as a way to backup their work. It’s great if and when you remember to save copies there.

Last year, I decided to pay for an automatic online backup again. After listening to some discussions about services, I chose Carbonite. One of the things I love is it saves versions of files. In other words, if I wished I’d kept a copy of last week’s file instead of overwriting it with this week’s–both are there. It’s really easy to use, too.

I know that was a long story, but partially I told it to show that there are different options and partially to show that you ALWAYS need to check that your backup method is still working and affective.

Okay, the last “back up” definition in my opening referred to being online. For me holiday preparations and activities take me off line for writing. Time is more limited. Focus is more difficult. Now that the holidays are over it is time for me to be “back up.” Back focused, back spending enough time, back making progress on projects, back to submitting. How about you? Are you “back up”?
Wishing you the best at getting back up to speed, if you’re not already, and to making those backups!
Cloud image courtesy of Doug Rivers on morguefile.com.

Posted in The Nitty Gritty of Children's Writing, Tools

Writing Business Expenses

picture courtesy of Jane M Sawyer on morguefile.com
money.jpgEvery year I plan to do better at keeping track of my expenses than the year before. The area I struggle is recording all those trips to the post office or writing events. Often, I remember to record the event or trip, but forget to enter the actual mileage. So then I have to dig for the mileage I wrote down on a piece of paper or the map showing my route.

In 2012, I did pretty well at keeping it up-to-date.
Until I discovered I’d left off something else . . . a conference fee. And the taxes were already filed. Hmm, unclaimed expense from previous year? I think there’s a spot for that–must check it out when preparing 2013 taxes.

Several of my writer friends are just starting out with keeping track of writing business expenses. When I shared my personal info, one was shocked to see how many miles I deducted for 2012. I did a lot of travel by car, but the majority of it wasn’t big trips, just a lot of small trips adding up. For example, last year I joined a critique group that usually meets weekly. Let’s do the math. If roundtrip mileage averages 20 miles per week and the group meets only 42 weeks out of the year, then that is 840 miles in 2013. The IRS mileage deduction tax rate for 2013 is 56.5 cents per mile. That would allow a deduction of $474.60. for a legitimate business expense. (Read IRS publications for full details. Start with Publications 334 and 583.)

Conference fees, travel, hotel and meals add up really fast, too. Not all are fully deductible, but if you don’t know what you paid, how can you know how much to deduct? Accurate record keeping is necessary.

So how do I keep track of my expenses? With a spreadsheet. I have columns that I created long ago using a Schedule C as my model. My column headings are:

  • date
  • expense item (e.g. roundtrip mileage to event, address; postage to submit manuscript)
  • publisher/magazine (or those extra details, if needed, such as to whom and what I’m submitting)
  • miles (you also must keep track of the car mileage at the beginning and end of the year)
  • other car expenses (tolls or parking fees)
  • advertising (e.g. website)
  • office supplies (those things you need to run a home office: paper, postage, etc.)
  • taxes (e.g. sales tax on any books you sell yourself)
  • travel (airfare, taxis, hotel)
  • meals (while traveling–only a portion is deductible)
  • misc (where I put conference fees)

Someone else might need different columns. I am by no means a tax consultant!

I find if I don’t immediately enter trips to the post office in my spreadsheet, I forget when I did them. That means I lose out on those miles that I actually took. So what’s a writer to do? One writer says she puts her trips on a calendar–at tax time she can go back and garner the information from that. I thought I might try something new and that’s a mileage tracker app. There are a number of free ones. Looks pretty easy to enter appropriate information. But again, it’ll only work if I actually do it.
Right now I have some receipts I haven’t entered. I’d better go do that. And photocopy the receipts for my records as receipts fade. Besides it’s easier to have standard size sheets with several receipts than those small strips of paper.

Hope this has been helpful.