Posted in Promotion, The Nitty Gritty of Children's Writing

School Visits, the Extended Version

running_kids_crop.png
After sharing my last post with others I got great feedback from other writers, so asked their permission to share their wisdom, too. Of course, as usually happens, what they say makes me think of other things, too.
HOW TO GET SCHOOL VISITS IN THESE TOUGH ECONOMIC TIMES
Affordable Rates
Trudy Ludwig also recommends, “due to lack of public school funding, authors can make their school visit rates more affordable for schools by recommending schools in close physical proximity join forces in co-sponsoring an author visit. That way, the two neighboring schools can share the author’s travel expenses and author visit fee.”
Cost Cutting Ideas
“Sometimes I offer to stay with a teacher or administrator at their home to save them lodging costs,” says Trudy. “Another way to help out schools with tight budgets is to ask if there are any school parents who would be interested in using their frequent flier miles to obtain an airline ticket for the author to save the school the airline expense. A public school in NYC actually approached me with this suggestion and I gladly accepted.”
“I’ve written/had published 19 NF children’s books and have struggled with getting school visit gigs in these tough economic times,” Mary Meinking says. “I recently did a school visit at a neighboring town’s elementary school (I live in rural Iowa), which I do for free since they’re in my community. Anyhow, since I didn’t charge them a fee, I sold books and kept the profit instead. I ended up selling 94 books, which actually made me more money than my usual $300/day fee. So it ended up being a win-win situation for everyone.”
School Visits via Skype
Rachelle Burk shared Skype an Author Network created by author Mona Kerby and Library Media Specialist Sarah Chauncey. Under “Author Visits in Your Library or Classroom” there are directions for authors and directions for teachers and librarians. Authors can ask to be included in the list. There are also Illustrators on this list.
CONTRACT INCLUSIONS
“I’ve just started doing school visits,” Helen Landalf told me, “but one thing I’ve come across recently is schools canceling a scheduled visit. I’m not charging for my visits right now, since I’m a newbie, but when I do start charging, I’ll have to think about adding a cancellation fee to my contract.”
This reminded me of something I’ve had happen–as the teacher turned the class over to me, she said, “They don’t know why you’re here.” Aaugghh! She hadn’t even told the students they were having a special speaker. At least ask the teacher or librarian to introduce you. But better yet is if the kids are anticipating your visit! It’s worth giving one of your books or magazine stories/articles to the class ahead of time and asking the teacher to read from it. I’ve also sent printable-ready “about the author” flyers to help teachers/librarians have something tangible to share with their students. One school’s technology department had the student’s visit my website. That teacher used facts in my bio for the kids to figure out how old I was. So include something in your letter or contract about the school preparing the students for your visit. -Sue
SCHOOL VISIT HELP
Still worried about what to do for school visits? Or have some issues or concerns? Deb Lund, author, teacher and coach, will be speaking about school visits at the Oregon SCBWI conference this May. Plus Deb is offering a free webinar in May to those who subscribe to her blog. Meanwhile on her blog there’s a chance to win a school visit coaching give-away by Deb. Drawing is April 1st!
SCHOOL VISITS BY STATE
Author Kim Norman runs a site called Author School Visits by State. You can ask to be included by emailing Kim; see the directions on the site itself.


About the authors/illustrators interviewed in this piece:
Rachelle Burk is a magazine and picture book author and a children’s entertainer. Read more on her blog.
Helen Landalf‘s new YA novel, Flyaway, is recently out from Houghton Mifflin. It sounds fascinating! Read what else Helen has done here.
Trudy Ludwig is an award-winning author who specializes in writing children’s books that explore the colorful and sometimes confusing world of children’s social interactions. Read more about her and her books on her website.
Deb Lund is a picture book author and a writing coach. See all she does on her website.
Mary Meinking is an author/illustrator who does nonfiction books and magazine pieces. Check out her work on her website.
Kim Norman writes fiction and nonfiction for children. See what she has coming out this year here. Plus Kim has a blog about school visits and writing.

Thanks to Clarita on morguefile.com for the above image.

Posted in Business Side of Writing, Promotion, The Nitty Gritty of Children's Writing

Going Back to School

kidsinclass.jpgHave you ever thought of going back to school? To elementary, middle or high school that is? Many authors and/or illustrators supplement their income by doing school visits. But money definitely should not be your only reason to go back to school.
Why else do school visits?
• You like to share with young people
• A desire to learn and grow
• To be encouraged – there really are kids out there who read!
• Connection with your audience
• To gain speaking experience
• For inspiration and ideas
How do you get connected with a school?
• If you have students (your own children, grandchildren, nieces or nephews) in school, volunteer to talk to their class about your art and/or writing.
• If you live near a school, talk to the librarian, a teacher or a PTA member, about the school and ask if they have any special programs to encourage creativity. They may have, or participate in, the following and be looking for help:
– – – Young author programs
– – – PTA/PTSA Reflections
– – – Art programs
– – – Reading tutors
– – – Career days
• If you’re visiting or live in your hometown, call or write to the schools you attended and ask if they’d like to have a “homegrown” guest speaker.
• Talk to librarians and bookstore owners; they may know of schools looking for authors and illustrators.
• Check with local writing organizations; many have speaker lists they provide to the community as a service.
• Ask friends, business associates, and acquaintances for information about their children’s schools. Tell them why you’re interested.
• Look on the internet for information about local schools.
How do you plan a program?
• Start by asking yourself questions, such as:
– – – “What is one thing that excites me about creating?”
– – – “How did I get started down the creative path?”
– – – “What was hardest for me to learn, but when I got it, it was like the proverbial light bulb coming on?”
– – – “Where do I get my ideas?”
– – – “Is there something I do that is unusual or few others are doing?”
• Plan and prepare for your talk…
– – – Pick an area or two from your starter questions–something you feel strongly about–and outline what you could tell a class.
– – – Consider whether you need to expand your knowledge with research or narrow your topic more.
– – – Think of examples and personal anecdotes to illustrate what you are talking about.
– – – Adjust outline accordingly.
• Think about activities you can do with the students that would relate to your subject:
– – – question and answers
– – – brainstorming
– – – writing or illustrating exercises
– – – sharing illustrating or writing exercises
– – – reading a section of a story
– – – having students act out a story
• Think about visuals – what can you show during a talk?
– – – Resources/tools you use when working
– – – Pictures
……….Content: personal pictures (you as a child or your studio/office now); stages of book production or illustration; information you researched doing your book
……….Format: slides; overheads; videos (often classrooms have televisions);PowerPoint presentations (you may need to provide your own computer and hookup to a television)
– – – Artifacts
……….Objects that inspire you
……….Objects used in a story
Practice. Planning done, you’ll obviously want to practice (outloud!) what you’ll say, how you’ll say it and how you’ll use your visuals to best effect.
Don’t over commit. Agree to speak to one class and see how it goes. You may decide you need to make changes in your program before trying it out again. Learn from each time you speak. Feel free to ask teachers for feedback and recommendations on what you can improve.
How to keep control in a classroom
• Require a teacher to stay
• Be prepared for smart remarks, students talking while you are talking, items being dropped, and other interruptions. Here are a few ways that work for me:
– – – Saying an obvious joke myself, rather than leaving it to the class “show-off” to spout off, seems to keep the student’s attention.
– – – Stop talking and wait for the room to quiet.
– – – Ask someone talking out of turn to answer a question.
– – – Move close to students talking.
In elementary classrooms, student’s names are often on their desks, making it easy for you to call on students by name.
Be prepared with answers for questions students often ask. Typical questions include:
– – – How much money do you make?
– – – How long did it take you to write or draw the pictures for your book?
– – – How old are you? (It’s not rude–adults ask them this question all the time!)
– – – Why do you illustrate or write for kids?
How much should you charge?
• Until you have a bit of experience, you may want to charge nothing, or consider an exchange such as “may I observe your students for an hour if I speak to them for an hour?”
• Speaking fees vary based on a number of factors:
– – – How well known you or your books are
– – – Your speaking experience and how well audiences receive you
– – – What schools in your area typically pay
– – – Length of presentation (Is it an hour presentation or will you be presenting all day? If presenting all day, how many times will you speak?)
– – – What other authors/illustrators charge in your area
– – – Travel requirements
– – – Audience (one classroom or the whole school in an assembly)
• Don’t forget prep time when thinking of fees. A day spent in a school can require a day or more of preparation.
• If possible, have schools pay for supplies used in classrooms (i.e. photocopies of a handout, drawing paper) or include the expense of these items in your fees.
• If you need to travel for a visit, you may want to get reimbursed for mileage, have airfare, hotel and food costs covered, or charge more.
• Be sure to specify how many presentations you’ll do per day and how long each presentation will be when discussing your fee.
Should you have a contract or written agreement with the school?
• YES! This will cut down on painful misunderstandings.
– – – Even if you are volunteering, a letter confirming your agreement which includes what you’ll be doing, length of program(s), date(s), time(s), etc. is a necessity for a successful visit.
– – – If you are getting paid, some schools provide a written contract that each signs. Others won’t, so be prepared to provide a contract that spells out ALL details. You can get sample contracts online, from books or from other experienced speakers.
What if you feel you’ve failed?
Consider these thoughts.
• Was your audience the right age group for what you wanted to teach/share? An older or younger group may be a match when this one wasn’t.
• Does your talk need more pep? Or do you need more audience participation? Take what worked well and try it again. Change what didn’t work.
• Perhaps you merely need more practice. Try it out on someone you trust. Volunteer again.
• Consider providing a feedback form to the teacher so you’ll know what someone else thought of “what you did.”
• Remember, kids are sometimes “too cool” to show they’re enjoying themselves. One author reported speaking to a class of seventh graders who were slumped in their seats throughout her talk. She thought they were bored stiff. Fortunately, when the class was dismissed, she overheard one student say to another, “That was really interesting.”
Going back to school as a guest speaker is challenging and is not for everyone. But many who have given it a try have found joy in communicating what they know with the next generation. Plus it is a way to augment your writing income.


School Visits Experts is a great resource by author Alexis O’Neill. She also writes articles for the SCBWI Bulletin on the topic.


Posted in Promotion, The Nitty Gritty of Children's Writing

Author Talks versus Workshops

If you will be speaking to writers, unless you were asked to do so, it’s doubtful that the organizers want you to give an “author talk” or a bookstore “book signing talk” where you share your journey on how you became an author. Of course, you will reference what you know, but this isn’t about you; it’s about your audience.
And who is that audience at a workshop or conference? Other writers. Writers listening to other writers want practical helps to take home. Think about what in your experience can encourage or inspire them. Think about what you’ve learned that someone else might be able to use. What practical tips can you share? What do you continue to struggle with?
One of the things I’ve found that people appreciate in a workshop is good handouts. They might be a copy of an article on the topic at hand, internet resources, a page of info they’ll probably want so they don’t have to scribble fast, a booklist for further reading.
Think about this tweet quote from Erin Bow: “BTW, the complete stack of MS for PLAIN KATE, which I use as a prop for my HS writing presentations, just *barely* fit in one suitcase.” (I know I’ve used this quote before.) Is she taking that large stack of manuscript pages to say “look how great I am” or is she taking it to show that writing a good book is hard work? I’m guessing the latter.
I love myselfIf you’ve heard writers speak at conferences and events, you’ve probably been disappointed at the ones who seem to have an ego larger than the stage. Keep your ego in check and attendees will appreciate it.
When a conference or event organizer gives you a topic and you agree to speak on that topic, don’t cheat and not give that talk. Yes, I know you may be asked way in advance to choose a title, but that’s a burden you should bear, not your audience. Attendees will be most likely be disappointed if they come to hear about “A” and are given “K” instead, no matter how good your speech is.
Of course, sometimes authors are asked to give an inspirational speech or keynote. If that’s the case you probably will mention some parts of your journey as that’s the one you know best. I saw good examples during keynotes at the SCBWI 2011 LA Conference (on tweetchat go to #LA11SCBWI for quotes and comments and/or go to the official SCBWI blog for a taste of the conference.)
Here are a few “thumbs up” tidbits from the conference:
Bruce Coville gave us 13 practical tips on “How to move in the world as a writer,” many of which he illustrated from his life. I loved his story of how he and Paula Danziger pledged to each other: if you don’t write 3 pages tomorrow, you will have to endure unendurable shame. At the end of his talk, Bruce said, “Don’t start with a message. Start instead with your good heart.” I’m so thankful that Bruce has a good heart and has been willing to share his wisdom and insights over the years.
David Small made us cry with tears of sympathy for the abuse of his childhood shown in his illustrated book Stitches, which has been a voice for others who don’t have a “voice.” After being the downer of the morning, according to David himself, he said, “I’m going to be the upper.” He gave us a hysterical visual view of book signings in chain versus independent bookstores. I’m thankful for the memories I’ll carry with me from his talk.
Libba Bray had us in a different kind of stitches–laughter–from the get go of her keynote as she talked about “Writing It All Wrong: a Writer’s Survival Guide.” But it wasn’t just sharing humor of how-she-did-it- wrong, she also gave some practical suggestions. The one that has been retweeted a lot is, “Your book is in there buried under the one you hate.”
Judy Blume and Laurie Halse Anderson both talked about their unhappiness before they became writers. How could we not be inspired by what they shared from their lives? Laurie reminded us we shouldn’t do so many writing related activities that we don’t write. (I’m sometimes guilty as charged!) Judy said, “The first draft is finding the pieces to the puzzle. The next draft is putting the pieces together.” She believes technology has made that harder as it’s too easy to go back and edit before the first draft is finished. Since Laurie’s keynote was the closing one of the conference, she ended with, “Go forth laughing and disturb the universe!”
These “big name” speakers ably demonstrated the purpose of their talks was to encourage, enlighten, inspire, and challenge their listeners. If we are asked to do those things, great. However, if we are asked to teach on a topic, we should teach.

Posted in Craft, Promotion, The Nitty Gritty of Children's Writing

My Favorite Online Resources

http.jpgRecently I shared a couple favorite internet resources with a friend. When I mentioned to her that I’d been meaning to get a blog post up with them, she told me to get to it! So thank you, Carmen Nodar, for the prompting and for sharing sites you find, too.

WRITING RESOURCES

Scrivener at Literature and Latte
This site has downloadable software for writers of one cool writing program called Scrivener. Already available for sale for Macs, Scrivener is in process for windows, so a beta version. I was introduced to it by Jenn Bailey, Kate Blaisdell, Heather Trent Beers, and the afore mentioned Carmen. Thank you, wonderful ladies! I’m lovin’ it.

Edit Minion
The awesome Lisha Cauthen found this one and shared it on Kansas SCBWI’s Sunflower Scoop (a weekly email). It’s in beta and Dr. Wicked  plans to add features, but it’s so cool. You paste in a piece of your writing and you can have it check for adverbs, weak words, “said” replacements, passive voice, ending a sentence with a preposition and often misspelled words. A bonus I like is you get a different writing quote each time you click on “Edit!.”

Institute for Children’s Literature Blog
This resource is searchable. I come here when I want info on something or am looking for a resource to share with someone else.

Downloadable Grammar Tutorials
Having trouble with a specific grammatical issue? Go here and learn how to handle it on the Yale website.

IMAGE RESOURCES 
If you have your own blog or website, or are creating presentations, you need images. And most of us want free images. Resources updated 2025.

Pixabay
This is my favorite. Free images. Searchable. You can look for photos or illustrations. It tells you which are AI, which I do not use, nor recommend using.

Pexels
If I don’t find what I want on Pixabay, I go here.

morgueFile
Photos on this site are free for use (read the licensing info). People take pictures and upload them into this searchable database. If the photographer includes contact info, I send a thank you email telling which image and when and where I used it. (Each picture shows who uploaded the image–click on their name or username and look for email.) The image at the beginning of this post is from morgueFile. However, I don’t use this site anymore.

WEBSITES I SUBSCRIBE TO

DearEditor.com
I met DearEditor aka Deborah Halverson at the 2010 SCBWI LA conference. A former editor, Deborah answers writers’ questions. You can subscribe and get links emailed to you when there’s a post or search the site. Deborah’s recently launched her book: Writing Young Adult Fiction for Dummies. Tonight she’s doing a free webinar. You can also follow her on BlueSky.

School Visit Experts
Founded by author and SCBWI Regional Advisor Alexis O’Neill, this blog site is again subscribable. This site has very practical info about speaking in schools, arranging visits, etc.

Those are current favorites, though I know as soon as I hit “publish,” I’ll think of others. I’d love to hear yours. Simply enter them in the comments.

Posted in Promotion, The Nitty Gritty of Children's Writing

Technicalities – More Thoughts on Public Speaking

microphone.jpgphoto courtesy of Stuart Whitmore

After my last post on public speaking, I kept having more ideas of things I wish I’d said. Like some technical issues. Like . . . what do you do when you have to fly to a presentation? Then I saw this tweet from author Erin Bow: “BTW, the complete stack of MS for PLAIN KATE, which I use as a prop for my HS writing presentations, just *barely* fit in one suitcase.”
So let’s talk.
Traveling and Presentations
I’m paranoid. I never want to end up at a talk without my most important materials: my notes and handouts. So when I travel by plane, I “carry on” my physical notes, printouts of my handouts for copying if necessary (and/or the actual copies), my netbook with my notes, and a USB thumb drive with all my notes and my handouts. Props go in checked luggage. Props are nice to have, but they aren’t absolutely necessary. YOU are the presentation.
PowerPoint, Video and Internet Access
I can speak to this from the conference director side. I’ve seen speakers come with their CD/DVD, laptop, USB device and not been able to get it to work because “someone else” set it up for them and they don’t really understand it. If you want to use technology that you are not familiar with, practice it on a variety of computers and/or projection systems. And, be prepared to graciously go on without it.
Laptop Connections
Even if you bring your own laptop, don’t assume that the host will have the correct cable to connect your computer to the projector. If you’re running a windows machine, you’re probably okay, but did you know that each Apple laptop has a different style of “dongle?” If there is tech support at a conference, he/she will not have every possible connector. And definitely don’t get angry at the conference presenters for not providing what you need. (It’s true–I’ve heard about speakers throwing fits and complaining afterwards as well.)
Oops, I Forgot!
About ten years ago I left an announcement PowerPoint show at home. Was it absolutely necessary to have it? No, but I wanted it. I had arrived early. The moment I realized my error, I called my husband, who is a computer guy. He posted my slide show up on my website and gave me the url. I used the school’s computer to pull up that page on my website and ran the PowerPoint presentation from there. These days we have Google docs and dropbox and other web services where we can store backups–use the tools. Obviously, if your venue won’t have internet access, this option won’t be available to you.
Old School Slides
If you’re using film slides, you should probably provide your own slide projector, or at the least, make sure the type of carousel you have will fit their projector.
Netbooks, Notebooks aka Mini-laptops
If you’re using a netbook to show internet sites, be aware that your screen size probably will not match what the projector shows.* I learned this one the hard way. I had no scroll button on my screen, and couldn’t see the full view of what the audience could see on the screen behind me. Eventually I figured out I could turn around to see what they were seeing, but that makes for awkward speaking.


*How to possibilities (for windows machines)
1. Connect your projector (or a large second monitor) to your laptop/netbook.
2. Hold the windows key down on your keyboard and press the letter P for projector. This may give you options to choose Duplicate, which give you the view on your screen on the projector. You may have to modify the resolution (more on that below in step 4). Both resolutions must be the same.
If former not available:
1. After you’ve connected your projector (or a large second monitor) to your laptop/netbook, right click on the desktop background on your screen.
2. Click on Display Properties/Graphic Properties, or you might have ATI or NVIDIA control panel option to get you to display properties.
3. Under Display Devices, you’ll have options, such as: Single Display, Dual Display (Clone), and Extended Desktop. You might see a question such as “Do you want to extend your desktop onto this monitor?” Either way, you want to change it to Extended Desktop.
4. You should have a box that shows you the different sizes of each “screen” (projector or 2nd monitor) and your computer–the two need to match.
5. Next chose clone.
In either case, when you are done, make sure your laptop is back to Single Display.

If this sounds too complicated, get a techie to help you figure it out.


Going from PC to Mac
Recently, I created a PowerPoint slideshow to use for a presentation. I talked to the event organizer about equipment. He said he had a Mac and that it should be able to open the PowerPoint in Keynote, so I didn’t need to bring my laptop. I sent my presentation to him via email. Yep, it opened, although it changed some fonts. (Note to self, use very basic fonts!) But, I wondered, what did it look like?
I met with a friend who had a Mac also with Keynote. She opened up my presentation and I saw that some images were a bit big and that some spacing was off on a few lines where I’d put in manual breaks to make it look how I wanted. We resized images, fixed spacing issues, saved the presentation in Keynote and I re-sent that to the organizer. It worked well for my talk.
The next day I was working on a second presentation for the same event. I used simpler fonts and when I used images I made no spacing changes in my text near the pictures. Instead, I changed the size of the image if necessary. This time, because I was adding last minute items inspired by the questions at the previous presentation, I didn’t have time to look at it on someone else’s Mac. Fortunately, because I kept the PowerPoint presentation formatting simple, it worked well. (The only transitions I used were to add text or image on mouse click.)
Remotes
Remotes are wonderful things for a presentation. Then you aren’t nailed down to the computer keyboard or slide projector to change slides as you talk.
Microphones
I like being in a room that is small enough that a microphone is not needed. That means I can wander while talking. Obviously in a larger room, the speaker may need to be miked. Best is a wireless. But if all that is available is a stationary, you’ll have to stay still.
Your thoughts?
I’d love to hear what others have experienced with the technical side of speaking. Feel free to comment below.