Posted in Before You Begin, Craft, The Nitty Gritty of Children's Writing

Picture Book Month

picturebookmonth.jpg
I once heard an editor say she wanted the following in pictures books:

  • humor
  • unique settings
  • memorable characters
  • emotionally engaging

I doubt every picture book needs humor or a unique setting, although those are great of course, but I bet the ones that last are the ones where we remember the characters and our emotions are stirred.

In honor of the first annual Picture Book Month, here is a sampling of picture books where characters have pulled my emotional strings in one way or another:

These I first read to my daughters:
• Are You My Mother? by P.D. Eastman
• Bread and Jam for Frances by Russell Hoban; illustrated by Lillian Hoban
• Crictor by Tomi Ungerer
• Harry the Dirty Dog by Gene Zion; illustrated by Margaret Graham
• Horton Hears a Who by Dr. Seuss
• Lyle, Lyle, Crocodile by Bernard Waber
• The Story of Babar by Jean de Brunhoff
• Strega Nona by Tomie de Paola
• The Very Hungry Caterpillar by Eric Carle
One my youngest daughter loved, that I actually found a bit odd:
• Love You Forever by Robert N. Munsch; illustrated by Sheila McGraw

These I first read to my grandsons:

• First Day Jitters by Julie Danneberg; illustrated by Judith Dufour Love
• Library Lil by Suzanne Williams; illustrated by Stephen Kellogg
• The Seven Silly Eaters by Mary Ann Hoberman; illustrated by Marla Frazee
Others I love:
• Big Bad Wolves at School by Stephen Krensky; illustrated by Brad Sneed
• Coyote Steals the Blanket by Janet Stevens
• Lilly’s Purple Plastic Purse by Kevin Henkes
• Mrs. Biddlebox by Marla Frazee
• The Recess Queen by Alexis O’Neill; illustrated by Laura Huliska-Beith
• See You Later, Alligator! by Laura McGee Kvasnosky
• The Wide-Mouthed Frog by Keith Faulkner; illustrated by Jonathan Lambert
After making this list, I’ve come to the conclusion I’m not reading enough recent picture books. Time to visit the bookstore!

Here are some Best Picture Book lists:
49 brilliant picture books from the past 5 years as chosen by award winning illustrators
Best Picture Books 2010: David Wiesner, Jon J. Muth, Louise Yates and Other Spectacular Illustrators Honored – 10 from the Huffington Post
The Best 25 Picture Books of 2010! – books4yourkids.com
From ‘Brothers Grimm’ to ‘Stuck,’ the 11 Best Picture Books of 2011 – The Atlantic
Best picture books of 2011 – Lindsay Weiss on babycenter.com

Are you sharing your favorite picture books? Or giving them as presents next month?

Posted in Before You Begin, Craft, The Nitty Gritty of Children's Writing

Picture Book Resources


Here’s a collection of picture book resources I’ve found. Enjoy!

(Note: this page was updated in August 2026, so all links at that point were good.)


Books about Writing Picture Books
Writing Picture Books: A Hands-On Guide from Story Creation to Publication by Ann Whitford Paul*
You Can Write Children’s Books by Tracey E. Dils
Writing with Pictures: How to Write and Illustrate Children’s Books
by Uri Shulevitz (See sample here: How to Make a Storyboard)
Illustrating Children’s Picture Books: Tutorials, Case Studies, Know-How, Inspiration by Steve Withrow and Lesley Breen Withrow

Picture Book Resources on the Web
You’ll often find on these sites that you should keep looking around for more info.

Getting Started Writing Picture Books

Layouts and Standards for Picture Books

Tips and Do’s and Don’ts for Writing Picture Books

Got Rhythm? Rhyme and Meter in Picture Books

Plot and Character in Picture Books

Revising Your Picture Book

Illustrating Picture Books

Other PB Resources


*I’ve heard these people speak, run, don’t walk, if you ever get a chance to hear them! A number of the others I’d LIKE to hear…

Posted in Before You Begin, The Nitty Gritty of Children's Writing

Glossary of Publishing Terms

ABA:  American Booksellers Association

ADVANCE:  Money paid to an author or illustrator by a publisher after the book contract is signed.  Advances are paid against royalties.  Usually, the author or illustrator won’t receive any additional payments until the royalty earnings have surpassed the amount of the advance.

AGENT:  Person who sells an author’s work for them, negotiating any contracts, etc. for a fee, however, no fees should be paid up front.  Also known as Literary Agent.

ALA:  American Library Association

ALL RIGHTS:  Sale of material where the publisher becomes the owner of the material.  The author may not sell the material again.

ALSC: Association for Library Service to Children

ARC:  Advanced Reader Copy – a bound galley sent out to reviewers.

BACKLIST:   Books still in print from previous seasons.

BELPRÉ MEDAL:  An award for outstanding children’s literature and illustration that celebrates the Latino/Latina cultural experience.

BOOK DOCTOR:  Someone who will examine your manuscript and critique it for a fee.  These vary greatly in quality.

BOOK REVIEW:  One person’s opinion of a book, printed in a newspaper, magazine, newsletter or online.

CALDECOTT MEDAL:  An annual award to the artist of the most distinguished American picture book for children. Administered by the Association for Library Service to Children.

CBC:  Children’s Book Council – nonprofit national trade association for children’s trade book publishers. Awards and book lists.

CLIP:  sample of a published work

CONTRACT:  Legal agreement between author or illustrator and agent or agency or a publisher. The latter lays out details of  how and when the material will be published, what rights are sold,  payment, etc.

COPYRIGHT:  Legal protection of a work.  Most publishers copyright the text in the author’s name of the author.

CORETTA SCOTT KING BOOK AWARD:  Presented annually by the Coretta Scott King Task Force of the American Library Association’s Ethnic Multicultural Information Exchange Round Table (EMIERT). Recipients are authors and illustrators of African descent whose distinguished books promote an understanding and appreciation of the “American Dream.”

COVER LETTER:  Brief letter to introduce your manuscript.

CRA:  Christian Retail Association

CRITIQUE GROUP:  Group of writers or illustrators who help each other hone their work.

CRYSTAL KITE MEMBER CHOICE AWARDS: Peer-given award to recognize great books from fifteen SCBWI regional divisions around the world.

E-BOOK:  A book only published electronically.

EDUCATIONAL MARKET:  Book publishers whose purpose is to sell to schools and libraries.

ELECTRONIC RIGHTS:  The right to print a work in an electronic form (i.e. via the Internet.)

ELEVATOR PITCH: The term given to a book pitch that could, in theory, be delivered in the space of a short elevator ride.

FIRST RIGHTS:  Or First Serial Rights.  The right to be the first to print a work in a magazine.

FLAT FEE:  The author or illustrator is paid one lump sum for their work, and receives no royalties.

FRONTLIST:  The books being published in the current season.

GALLEY:  A collection of unbound signature pages of a book. A bound galley is bound into book form.  A galley is an uncorrected proof.

GENRE:  Writing category, i.e. romance, children’s, nonfiction, mystery.  Often have subcategories.

GOLDEN KITE AWARDS:  The only children’s literary award judged by a jury of peers.  Given by the Society of Children’s Book Writers and Illustrators.

HARDCOVER:   Books bound with a hard, cloth-over-cardboard cover and covered with a paper dust jacket.

HORN BOOK:  Well-known magazine about children’s and young adult literature. This page has categories of awards.

ILA:  International Literacy Association, a nonprofit network committed to worldwide literacy.

INDIE PUBLISHING: self-publishing

INDEPENDENT PUBLISHER: A monthly digital publication for independent publishers, booksellers, and authors.

INSTITUTIONAL SALES:  Books sold to schools and libraries.  Both trade and mass market books can have institutional sales.  Institutional sales often makes up a large portion of the sales for Children’s books.

KIRKUS:  Kirkus Reviews, a well-known magazine that reviews books prior to publication.  A starred review indicates a book of remarkable merit.

LOGLINE: A one sentence summary of your story or book. A one sentence pitch.

MANUSCRIPT: An author’s unpublished work.

MANUSCRIPT WISH LIST: A website for agents and editors to post what they wish they had in their inbox.

MASS MARKET:  Your standard-sized paperback book aimed at a wide audience.  Smaller than a trade paperback, usually with a different cover illustration than the hardcover edition, and considerably cheaper.

MASS MARKET PUBLISHERS:  Companies that produce paperback books inexpensively and in large quantities.  Book titles may follow trends and sell high volume in a short amount of time.  Some may be reprints of hardcover books. 

MICHAEL L. PRINTZ AWARD:  An award for excellence in young adult literature.

NET PRICE:  The money the publisher actually receives from each book sale after discounts are given to book stores or buyers.  Some publishers base the royalty paid to the author or illustrator on net price.

NEWBERY MEDAL:  An award for the author of the most distinguished contribution to American literature for children.  Awarded annually by the Association for Library Service to Children, a division of the American Library Association

NON-EXCLUSIVE RIGHTS:  The right to print and reprint it, but others may print it as well.

ONE SENTENCE PITCH: See logline.

ONE-TIME RIGHTS
:  The right to print a manuscript one time.  i.e. one issue of a magazine.

OOP:  Out of Print.  Not printed anymore.

OVER THE TRANSOM:  Unsolicited submission.  See Slush Pile.

PUBLISHERS MARKETPLACE: An industry news website that can help authors connect with agents and editors. Their newsfeed tracks publishing deals, agents, editors, submission calls and more. Full membership is $25/month.

QUERY LETTER:  A letter to gain interest in a manuscript or idea.

REQUESTED MANUSCRIPT
:  A manuscript an editor personally requests either in response to a query letter or at a conference, retreat, webinar, or workshop.

REPRINT RIGHTS:  The right to print a manuscript that has already been printed.

RETAIL PRICE:   Cover price of the book.  Most larger publishers pay royalties based on the cover price.

RETURNS:  Books that booksellers return to the publisher.

ROYALTIES:  The percentage of the proceeds from the sale of each copy of the book that the author or illustrator receives.  Royalties vary depending on the publisher, the type of book, amount of experience author has, etc.  Authors and illustrators are both paid in royalties unless a flat fee arrangement has been made.

SASE: self-addressed stamped envelope.

SASP:  self-addressed stamped postcard.

SCBWI:  Society of Children’s Book Writers and Illustrators.

SCHNEIDER FAMILY BOOK AWARD:  This award honors an author or illustrator for a book that embodies an artistic expression of the disability experience for child and adolescent audiences.

SECOND RIGHTS:  The right to print a work that has been printed once before.

SELF-PUBLISHED:  Author has a book they feel strongly about and pays to have it published themselves, with or without the help of a company who does this.

SIDE-BAR:  An additional piece of information accompany8ing an article or story–often printed to the side.

SIMULTANEOUS SUBMISSION:  Manuscript submitted to more than one publisher at the same time.

SLUSH PILE:  Term for unsolicited manuscripts received at a publishing house.

SPARK AWARD: An annual SCBWI award that recognizes excellence in a children’s book published through a non-traditional publishing route.

SUBSIDIARY RIGHTS:  Sales of a book to other outlets such as book clubs, foreign publishers, magazines, or movie studios.

SUBSIDY PUBLISHING:  Author pays part of all of book publication, promotion and sale.

SYNOPSIS: A summary of your book. Lengths requested vary, but a one page single-spaced synopsis is common.

TEXAS BLUEBONNET AWARD:  Awarded by the students of Texas** through a voluntary reading program.

TRADE PAPERBACK:  A book bound with a heavy paper cover, either larger than the standard-sized paperback or the same size and with the same cover illustration as the hardcover edition.

TRIM SIZE:  The outer dimensions of the finished book.

UNSOLICITED MANUSCRIPT
:  A manuscript not specifically requested by the editor.

VANITY PRESS:  Publisher who requires author to pay all costs of producing the book.  Often these manuscripts are not edited.

WILLIAM ALLEN WHITE CHILDREN’S BOOK AWARD
:  Award for books for children in 3rd through 5th grade and for children in 6th through 8th grade, voted by the students.

YALSA’s BOOK AWARDS & BOOKLISTS: YALSA, Young Adult Library Services Association, reunifying with ALSC.


FOR FURTHER INFO:


100 Common Publishing Terms 

(This page updated August 2026)

Posted in Before You Begin, The Nitty Gritty of Children's Writing

Children’s Book Categories

Image by Kidaha from Pixabay

read-2841722_1280 Children’s books are often broken up by age categories. Age ranges may vary by publisher. There are, of course, word length and manuscript pages exceptions to the generalizations below.

Picture books — In its broadest definition, a picture book is a book in which the illustrations play a significant role in telling the story. Under this umbrella are several types of books:

Baby books — For infants and young toddlers, these books are generally lullabies, nursery rhymes, fingerplays, or wordless books. The length and format varies with the content.

Toddler books — Very simple stories for ages 1-3 (under 300 words) familiar to a child’s everyday life, or concept books (teaching colors, numbers, shapes, etc.) Books are short (12 pages is average) and the format can be board books (sturdy paper-over board construction), pop-ups, lift-the flaps or novelty books (books that make sounds, have different textures, etc.)

Early picture books — A term for picture books geared toward the lower end of the 4-8 age range.  These stories are simple and contain under 1000 words. Many early picture books have been reprinted in the board book format, thus widening the audience.

Picture books — Traditionally, picture books (also called “picture story books”) are 32-page books for ages 4-8 (this age may vary by publisher). Manuscripts can be up to 1000 words, but many publishers are looking for 500 words or less.  Plots are simple (no sub-plots or complicated twists) with one main character who embodies the child’s emotions, concerns and viewpoint. The illustrations (on every page or every other page) play as great a role as the text in telling the story.  Occasionally a picture book will exceed 1000 words; this is usually geared toward the upper end of the age spectrum.  Picture books cover a wide range of topics and styles.  Illustrators should check out the Caldecott Medal winners.  Writers should look at the Charlotte Zolotow Award winners.

Nonfiction in the picture book format can go up to age 10, 48 pages in length, or up to about 2000 words of text.

Easy readers — Also called “easy-to-read” or “rookie readers,” these books are for children just starting to read on their own (age 6-8).  They have color illustrations on every page like a picture book, but the format is more “grown-up” — smaller trim size, sometimes broken into short chapters. The length varies greatly by publisher; the books can be 32-64 pages long, with 200-1500 words of text, occasionally going up to 2000 words. The stories are told mainly through action and dialogue, in grammatically simple sentences (one idea per sentence). Books average 2-5 sentences per page.  See “I Can Read” books. (http://www.icanread.com/)

Transition books — Sometimes called “early chapter books” or “beginning chapter books” for ages 6-9, they bridge the gap between easy readers and chapter books. Written like easy readers in style, transition books are longer (manuscripts are about 30 pages long, broken into 2-3 page chapters), books have a smaller trim size with black-and-white illustrations every few pages. See the “Stepping Stone Books” published by Random House.

Chapter books  — Sometimes called “early middle grade” or “early chapter books” for ages 7-10, these books are 45-60 manuscript pages long, broken into 3-4 page chapters.  Stories are meatier than transition books, though still contain a lot of action.  The sentences can be a bit more complex, but paragraphs are still short (2-4 sentences is average).  Chapters often end in the middle of a scene to keep the reader turning the pages.  Look at the “Amber Brown” books by Paula Danzinger.

Middle Grade — This is the golden age of reading for many children, ages 8-12.  Manuscripts suddenly get longer (100-150 pages), stories more complex (sub-plots involving secondary characters are woven through the story) and themes more sophisticated.  Kids get hooked on characters at this age, which explains the popularity of series with 20 or more books involving the same cast. Fiction genres range from contemporary to historical to science fiction/fantasy; nonfiction includes biographies, science, history and multicultural topics. Check out some middle grade novels from the list of Newbery Medal winners.

Young Adult (YA) — For ages 12 and up, these manuscripts are 130 to about 200 pages long.  Plots can be complex with several major characters, though one character should emerge as the focus of the book.  Themes should be relevant to the problems and struggles of today’s teenagers, regardless of the genre.  The Printz Award list contains many worthy titles.

Notes: I don’t know where I got this info originally–it was something typed up with no author reference.  I have seen variations online as if solely written by that person.  I have updated some of the information. -Sue