Posted in Craft, The Nitty Gritty of Children's Writing

PREPARING to Set the Scene

We all know we need to establish scenes with specific details. And we probably all know to use multiple sensory details. But author Mitali Perkins during a talk at the Big Sur Children’s Workshop, suggested some preparation before we write that I found particularly helpful.

She said, “Use details about place to reveal more about people and plot.” So not just random details. But deliberate details.

Mitali also said, “Choose a place that reflects and echoes the plot or emotion.” I’ll admit I tend just to put characters where I think they would be during their day—THIS is obviously going to take more work!

Then she gave us a writing practice using our own works-in-progress.

Step 1: Place

Imagine a particular place in your story with all five senses.

For example, an upset kid might dash outside and hear a police siren, a leaf blower. Might see and smell unpleasant things, etc. (Might experience the situation in the above photo.)

Step 2: People

Who is in this scene? How are they positioned in that place when the scene starts?

Step 3: Plot
Write down the emotion
(depressed, scared, furious, delighted, etc.) your main character is feeling.

So, I wrote down place, people, plot. (My main character is worried.)

I listed the senses I planned to use:

  • Visual  – Fault on a screen
  • Smell – Burnt toast
  • Sound – An annoying creak of her chair
  • Touch – A hangnail

While writing my section of scene—we only had ten minutes—I found how much those planned senses amped up my writing. Knowing what senses I’d use, made the writing flow. Thank you, Mitali.

Check out the books by this talented writer!

Posted in The Nitty Gritty of Children's Writing, Writing Life

Work to be Done

Except for writing quotes, this blog has been on hold the last two and a half months. Getting a manufactured home set up—which entails much more than I ever knew—moving out of two storage units, and an apartment, and moving into the house has taken so much time and energy. And there’s still more to do.

I likened our unpacking boxes of items that have been in storage for twenty months to Christmas. Oh, there’s that wonderful ______. Aww, I’d forgotten about ______. Yea, I have my _____ back. Other times I was reminded of a garage sale. Why’d I pack that? Or, some of it’s great stuff, but I don’t have a place for it. The result has been a lot of culling.

Which is similar to revising a piece I haven’t looked at in a while. Wow, did I write that? It’s good. Oh, yeah, I remember this part—it works. Why did I think this was important? Nice, but doesn’t fit here. Cut, cut, cut. Reorganize, rethink, rewrite.

One recent task was sorting boxes of papers from over 20 years ago. Notes and cards from friends and family, newspaper clippings, documents from and to my children in their teen years, travel itineraries, play programs, photographs, etc. What I didn’t expect was how much emotion these would create.

  • Some brought up sweet memories.
  • Others made me laugh or smile.
  • Some brought pain as the dear person is now gone from this life.
  • I was puzzled when I couldn’t remember a person in a note or photograph. Who was this person? I wasn’t even sure of context. From church? A husband’s coworker? A class? A fellow writer?
  • Others made me think fondly of those I’ve lost contact with.
  • Some I shared with those involved. Which was quite fun, by the way.

However, I didn’t expect to be exhausted during and afterward.

Writing can be mentally as well as emotionally exhausting as well. I’m reminded of my critique partner and a scene she recently glossed over—”I just wanted to get it over with,” she said when we all needed more. It was going to take further energy and emotion to get the scene right. But, when she took the time to dive deeper, the chapter was so much stronger. R.R. Martin said, “Fiction is about emotional resonance, about making us feel things on a primal and visceral level.” If we’re not feeling anything but impatience when we write, will our readers also be impatient?

I could moan about how much time I’ve lost during this physical move.  Or I can move on. I’m choosing the latter. By September I plan to be back into a regular writing routine, but I’m starting now with this blog. I love this quote from Eric Maisel in Fearless Creating: “What are any of us to do? Abandon the work or complete it, learn from the experience, cry, forgive ourselves, and move on…Now dry your eyes. There’s work to be done.”