Posted in Craft, The Nitty Gritty of Children's Writing

Kidz Only! Adults Keep Out!

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image courtesy of Scott Liddell from morguefile.com
One of the rules of writing for children is to:

Create independent characters.

Remember two-year-olds and the common refrain of “Do it myself!”? “Doing it myself,” is how a toddler learns to put on clothes, button buttons, etc. It’s how he grows in his abilities–it’s how he expresses independence. It’s how she gains confidence. It’s the same way with a main character. She is going to have to do things herself to grow and change. Like the old adage of “if at first you don’t succeed, try, try again” a main character will try something and fail, probably several times before he succeeds. But if the adult won’t let the child try and try again, how can the child character grow and learn independence?
You also want to:

Give characters freedom.

Think about this scenario: “What are you doing?” an adult asks. “Nothing,” the elementary age kid answers.
We all know that’s probably not true. Of course the kid is doing something. So why the naught answer? Here are possible reasons:
• the adult may not approve of what he’s doing
• the kid knows what he is doing is not permitted/accepted/approved
• the adult may think what the kid is doing is a waste of time and assign a chore
• the kid knows the adult is not really interested in what interests him
• the kid simply wants privacy and independence
For similar reasons authors keep adults out of stories or limit adult involvement. For example, how can the main character heroine try something a bit risky if adults are “all up in her business?” “You can’t do that–it’s not safe.” Or “That’s a stupid idea; you should …” Adults often have a tendency to take over and keep the child from solving her own problem. I remember one friend telling when she was a child she started writing a poem and her mother got so interested she finished the poem for her. That sent a message to my friend that she couldn’t write poetry. It was years before she tried writing a poem again. Or think about the child who is criticized for the colors she uses when drawing or coloring, i.e. “Cows aren’t purple; they’re brown or black and white.” That says his ideas are not valuable or worthwhile. We have to allow our main characters freedom to express themselves without adults checking their every action.
Don’t forget to:

Focus on kid characters and kid interests.

Remember long summer days and playing outside all day until dark? We discovered new things (at least new to us) and focused on our friends and what they/we were doing. Going home was for when we were hungry, thirsty, or needed the bathroom. At our house, we’d dash in and dash back out with Mom calling out, “Don’t slam the screen door.” The childhood games and adventures were “kids only” activities without need for adult supervision or input. Friends got our jokes and were interested in what we thought was interesting, but what an adult might find trivial. We loved riding bikes, pretending in the tall grass or in the woods, playing hopscotch or ball, picnicking in a graveyard, etc. Besides if we said we were bored, parents usually found something “not fun” to do, like cleaning rooms, or weeding flowerbeds. And it was great when we reached the age we could go to the pool, park or store without an adult. Keep the same perspective for your main characters in your middle grade stories.
And lastly:

Let characters “do their own homework.”

When I was a kid, my siblings had a saying about homework, “only ask Dad for help if you really want to know the answer.” Our father wisely wouldn’t give us the answer–instead he’d help us figure it out. It wasn’t the quickest way to get homework done, but it meant by the time we were done we knew how to solve that math or science problem. If the adult simply gives a child character the answers to their problems, how will he (and the readers) know how to proceed in the future? How will she pass her tests if everything is done for her?
So, if you want a successful main character, limit adult participation. You can have adults busy with something else, at work, or overwhelmed with their own issues. Give your character the chance to discover and grow and change on their own. If necessary, post a sign in your work space that says “Kidz Only! Adults Keep Out!”

Posted in Craft, The Nitty Gritty of Children's Writing

Do you struggle with grammar?

You’re not alone.
One of my favorite resources is a book by Harry Shaw called Errors in English and How to Correct Them. If you’re in doubt on whether to use who or whom or how to punctuate when using quotes or the difference between effect and affect, this book explains it in an easy to read way.
Sometimes, we need help though to get something fixed in our brain. I’ll list a grammatical problem and then a site I recommend to students for help with that particular issue.
Adverbs – Been told you’re overusing those “ly” words? This site is useful to paste your text in and have it show them to you. It also works on other grammar issues, such as passive verbs. https://www.grammarly.com
Future in the Past Tense – An example of this is “would get” versus “got.” http://www.englishpage.com/verbpage/futureinpast.html
Passive Verbs – Been told to watch out for passive verbs ending in “ing?”
This pdf by American University is helpful: https://www.american.edu/provost/academic-access/upload/active-and-passive-verbs.pdf
This one explains the difference between active and passive: https://www.mckendree.edu/offices/writing-center/resources/grammar/passive-verbs/
Run-on Sentences – I’ve got two helpful sites for this problem:
http://writing.umn.edu/sws/quickhelp/grammar/runons.html
http://www.myenglishteacher.net/runonsentences.html
Sentence Fragments – Check out this resource:
https://www.sentencechecker.org/special-sentence-fragment-corrector/
Verb Tense Consistency – This educational site has a verb consistency test. https://www.tensedetector.com/verb-tense-consistency-checker/
Which English is it? Spelling and grammar different from country to country. – Here is info on the subtle differences between British, Canadian, and American English: http://www3.telus.net/linguisticsissues/BritishCanadianAmerican.htm
I know this isn’t a complete list of grammar problems, but they are definitely ones I see commonly in student assignments.
Photo courtesy of xandert on morguefile.com

Posted in The Nitty Gritty of Children's Writing, The Publication Process

Can children and teens get their work published?

kidwriting.jpgYes. Check out these opportunities.

Children’s Magazines and Ezines

A good place to look is at the magazines you read. Do you see a kid’s or children’s section? Or there might be a “reader’s art” section. Here are some I found:
New Moon Girls – writing and art by girls 8 and up.
Stone Soup Magazine – features stories, poems and art by kids 8 to 13.
WhisperShout Poetry Magazine – peotry by kids 8 to 12.

Contests
Contests aimed at children are a good place for young people to submit. Here are a few:
Adventure Write Kids
has an annual contest for kids under the age of 19.
National Geographic Kids often has some contests – search the site.
Scholastic has an annual Kids Are Authors contest.

Other
The Young Writer’s Guide to Getting Published by Kathy Henderson has been a good resource in the past, but the copy on Amazon is pretty dated (2001)
Young Writers Society is an online community for young writers – ages 13+

Advice
Same as with adults submitting, kids and teens need to follow the directions exactly.

Thanks to Kristine Kisky for the photo above.
Posted in The Nitty Gritty of Children's Writing, The Publication Process

Patience Required

Publication is a slow process. Even magazine publications can take a long time. Years ago I sold a piece to Highlights and it took three years before it was published. But it appeared in their 50th anniversary addition so that made the wait worthwhile. (Fortunately, they pay on acceptance.)

Work-for-hire is often quicker, but still not immediate. This past week I got two of the three books I wrote for Unibooks (Korea) in late 2011. We finished rewrites in early 2012. Published under the Tuntun label which produces books to teach Korean children English, these books are written by native English speakers. I’m very pleased with how my books, both retellings of Aesop fables, turned out. Each cover has some special effects of shiny texture. (I’m sure there is some correct technical word, but I don’t know it.)

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BELLING THE CAT was illustrated by Kwak Jinyoung. Jinyoung did a great job. The mice crack me up. The cat is nice and wicked (from a mouse’s point of view) There are two fold out pages and one fold up page, which was a fun surprise.

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THE FOX AND THE CRANE was illustrated by Son Junghyun. Junghyun put in lots of details that mean kids could spend a long time reading and rereading before they notice them all.

I worked with two editors on these books and we did a number of revisions. I worked with a different editor on a third book, MY SHADOW, that is to come out next month.

Some of my friends wrote books for Tuntun also and got their copies recently, too:
Jo S. Kittinger: I JUMP UP, I COME BACK DOWN (about gravity) and THE BOY WHO CRIED WOLF. Read about Jo on her website.
Monica Harris: SASHA’S SENSES, SOPHIE & GYURI’S FUN DAY – review 2, SOPHIE & GYURI’S FUN DAY – review 3.
Another friend, like me, is waiting for further copies. Genny Heikka will be getting A TRIP TO THE SUPERMARKET soon. On her site you can see she’s done a lot of books for this company.

Posted in Inspiration, The Nitty Gritty of Children's Writing

I’m a Work-in-Progress

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My life has been crazy recently. We bought a new house, painted almost every room, did other repairs, packed, moved out of the rental and into the new house, cleaned the rental, and unpacked. (Not that we’re done!) A new house always requires some “editing.” That’s not in the right place; that doesn’t fit well. Sometimes it needs additions: a shelf here, some hooks there. Other items are removed. There are adjustments. It’s a Work-in-Progress with still more unpacking, fixing and painting to do.
My writing, of course, is affected by my life. When things get so busy, less writing gets done. Current projects get put on hold. Blogging definitely goes by the wayside. Unfortunately, I get out of the habit of writing. But not like many other habits–flossing my teeth–when things in my life quiet down, something in me starts bugging me: “Write. Write something. What about the work-in-progress? What’s that character going to do next? Write something for your blog. Recommend another good book. Write!” And I’m thankful for those nudges.
However, there are benefits to being away from my writing for a while. I get filled up with new experiences. Some experiences I’d rather not have, I’ll admit. My most recent one was a broken ankle requiring surgery. It’s too soon to know whether that will directly go into a book or story, but I have learned some things that will definitely affect my outlook and my life and, I’m sure at some point, my writing.
I’ve learned that handicapped access is not always so accessible. Have you ever thought there were “too many” handicapped parking spaces in a parking lot? I have. But not anymore. I haven’t been able to walk for 3 weeks now and have another 3 and a half before there’s a possibility to walk. I’ve been fortunate to have a knee walker to use, which is way better than crutches, but it is still exhausting. I have a temporary parking permit to use handicapped spots. I don’t go out much, but I’m finding handicapped spots aren’t always where they are needed. Or they are filled. And when we do go out and get a parking spot, those little wheels on the knee walker jar or stick at every bump and crack in the asphalt or pavement. Going up a ramp is work. Going down a ramp is scary. (What if I get going too fast and lose control and fall?!) My handicap will be over soon. But many people don’t get a “you’ll be free of it” time. I hope when I’m back on my two feet, I’ll be more empathetic.
I’ve been on the receiving end of stares. I’m old enough it doesn’t really bother me, but I know some people it would. Borrowing a mall wheelchair to do some Christmas shopping, my husband was pushing me through an area and a woman told her little kids, “Don’t stare.” If she hadn’t been whipping by so fast, I would have liked to explain to the kids why I was in a wheelchair. Not for me, but for them and their understanding. I hope she explained more later.
But here again is where writing comes in. I want my words to do more than entertain. I want them to be useful in some way. Maybe readers through my characters’ experiences will learn something new, or learn empathy, or be encouraged because others have had similar experiences. And I’ve just had more experiences to throw into my personal resource file.
So, all that said, I can’t complain about a crazy life. Well, I shouldn’t complain.
But didn’t I say I was a “Work-in-Progress?”