Posted in Craft, The Nitty Gritty of Children's Writing

Slow Down, You Move too Fast

You’ve got to make the writing last. (with apologies to Simon & Garfunkel and “The 59th Street Bridge Song” (Feelin’ Groovy)
I’ve had students who have rushed to submit an assignment. They’ve forgotten to double-space, run spell check, or proof; they haven’t followed directions–they’ve even sent the wrong version. If I was an editor, instead of an instructor, lack of double-spacing would mean instant rejection because it’s just too hard to read. If a story/article didn’t fit a theme list, when guidelines indicated they must, I’d reject. By the time I found three typos, I’d probably quit reading.
I’ll be honest. I’ve submitted material I shouldn’t have. I thought I knew enough about what I was doing, but didn’t. I moved too fast and was embarrassed later. It takes time to learn the craft of writing for children. Allow yourself some time.
slow signHere are some suggestions to help you “slow down:”
S – “Sleep on your writing; take a walk over it; scrutinize it of a morning; review it of an afternoon; digest it after a meal; let it sleep in your drawer a twelvemonth,” A. Bronson Alcott said. A year is too long for a class assignment to sleep, but you get the point, right?
L – Look your best! If you are going on a special date, don’t you take time to do so? You might get a haircut, a manicure, a new item of clothing. You’d definitely clean-up with a shower or bath. You might shave, pluck eyebrow or facial hair, trim nose hairs. You’d give yourself a final polish, whether it’s makeup, a shoe-shine or using a lint brush. Same with your writing. Do the basics of cleaning it up by running spell check. Reread it again and again looking for typos or awkward phrasing. Polish it by asking yourself, “Is that the best way to say it?” or “Is that the right word here?” or “Would this be clear to someone else?” Ask yourself if there are sections that need tightening or cutting.
O – Own it! Do you find yourself making excuses to yourself and your instructor (or critique group) about why something isn’t as good as it should be or why it is late? You are the one who chose to write. No one is making you. Do you want to do this or not? Then claim writing as your own. Show by your actions that it is important to you. Tell others you are writing and look for those who will help you with accountability. Think how “owning it” will feel, when you get that acceptance.
W – “Writing is rewriting… If you fall in love with the vision you want of your work and not your words, the rewriting will become easier,” Nora DeLoach said. Even the simplest piece will benefit by rewriting. The words you write aren’t “what you want to say” but a means of getting across what you want to say. Make sure they do the job.
D – “Discipline provides the canvas. Inspiration is the paint. You create the art,” Laurie Halse Anderson said. Just as practicing piano scales, prepares someone to play music, you must be disciplined and practice your writing. Schedule some dedicated time to your writing and you’ll be amazed how much you improve just by showing up and practicing.
O – Open up. Be willing to reveal yourself in your writing. Write about really matters to you. Judy Blume said, “The stuff that’s going to work is what’s coming from deep deep inside.” You probably won’t find this unless you spend time thinking about what is really important to you, asking yourself questions, and digging into memories.
W – “Who has time to read? If you’re a writer, you do. Reading can unlock the mysteries of writing,” Christopher Meeks said. Yes, it takes work to read, but reading what you want to write is invaluable. You won’t have to ask, “Is it okay to write a short story in first person for preschoolers?” or “How can I make an article on this topic accessible to 10-12-year-olds?” Because you’ll know. You’ll have been reading stories and articles for those audiences. You’ll see what works. You’ll be inspired by the wealth of material already out there. You won’t send “the same old” unoriginal story to editors that they’ve seen over and over and over.
N – “Nothing in the world can take the place of persistence,” Calvin Coolidge said. Oh, that is so true for writers. Instructors will tell you something isn’t right; editors will reject you; critics won’t like what you wrote, but they can’t stop you from writing. Only you can do that.
You’ve got to make the writing last. The song lyrics also say, “Looking for fun and feeling groovy.” Writing should be fun. You should feel good about what you produce. I think you’ll find you do when you follow the above steps.

Thanks to auntlaya on morguefile.com for the picture above.

Posted in Craft, The Nitty Gritty of Children's Writing

Kidz Only! Adults Keep Out!

keepout.jpg
image courtesy of Scott Liddell from morguefile.com
One of the rules of writing for children is to:

Create independent characters.

Remember two-year-olds and the common refrain of “Do it myself!”? “Doing it myself,” is how a toddler learns to put on clothes, button buttons, etc. It’s how he grows in his abilities–it’s how he expresses independence. It’s how she gains confidence. It’s the same way with a main character. She is going to have to do things herself to grow and change. Like the old adage of “if at first you don’t succeed, try, try again” a main character will try something and fail, probably several times before he succeeds. But if the adult won’t let the child try and try again, how can the child character grow and learn independence?
You also want to:

Give characters freedom.

Think about this scenario: “What are you doing?” an adult asks. “Nothing,” the elementary age kid answers.
We all know that’s probably not true. Of course the kid is doing something. So why the naught answer? Here are possible reasons:
• the adult may not approve of what he’s doing
• the kid knows what he is doing is not permitted/accepted/approved
• the adult may think what the kid is doing is a waste of time and assign a chore
• the kid knows the adult is not really interested in what interests him
• the kid simply wants privacy and independence
For similar reasons authors keep adults out of stories or limit adult involvement. For example, how can the main character heroine try something a bit risky if adults are “all up in her business?” “You can’t do that–it’s not safe.” Or “That’s a stupid idea; you should …” Adults often have a tendency to take over and keep the child from solving her own problem. I remember one friend telling when she was a child she started writing a poem and her mother got so interested she finished the poem for her. That sent a message to my friend that she couldn’t write poetry. It was years before she tried writing a poem again. Or think about the child who is criticized for the colors she uses when drawing or coloring, i.e. “Cows aren’t purple; they’re brown or black and white.” That says his ideas are not valuable or worthwhile. We have to allow our main characters freedom to express themselves without adults checking their every action.
Don’t forget to:

Focus on kid characters and kid interests.

Remember long summer days and playing outside all day until dark? We discovered new things (at least new to us) and focused on our friends and what they/we were doing. Going home was for when we were hungry, thirsty, or needed the bathroom. At our house, we’d dash in and dash back out with Mom calling out, “Don’t slam the screen door.” The childhood games and adventures were “kids only” activities without need for adult supervision or input. Friends got our jokes and were interested in what we thought was interesting, but what an adult might find trivial. We loved riding bikes, pretending in the tall grass or in the woods, playing hopscotch or ball, picnicking in a graveyard, etc. Besides if we said we were bored, parents usually found something “not fun” to do, like cleaning rooms, or weeding flowerbeds. And it was great when we reached the age we could go to the pool, park or store without an adult. Keep the same perspective for your main characters in your middle grade stories.
And lastly:

Let characters “do their own homework.”

When I was a kid, my siblings had a saying about homework, “only ask Dad for help if you really want to know the answer.” Our father wisely wouldn’t give us the answer–instead he’d help us figure it out. It wasn’t the quickest way to get homework done, but it meant by the time we were done we knew how to solve that math or science problem. If the adult simply gives a child character the answers to their problems, how will he (and the readers) know how to proceed in the future? How will she pass her tests if everything is done for her?
So, if you want a successful main character, limit adult participation. You can have adults busy with something else, at work, or overwhelmed with their own issues. Give your character the chance to discover and grow and change on their own. If necessary, post a sign in your work space that says “Kidz Only! Adults Keep Out!”

Posted in Craft, The Nitty Gritty of Children's Writing

Do you struggle with grammar?

You’re not alone.
One of my favorite resources is a book by Harry Shaw called Errors in English and How to Correct Them. If you’re in doubt on whether to use who or whom or how to punctuate when using quotes or the difference between effect and affect, this book explains it in an easy to read way.
Sometimes, we need help though to get something fixed in our brain. I’ll list a grammatical problem and then a site I recommend to students for help with that particular issue.
Adverbs – Been told you’re overusing those “ly” words? This site is useful to paste your text in and have it show them to you. It also works on other grammar issues, such as passive verbs. https://www.grammarly.com
Future in the Past Tense – An example of this is “would get” versus “got.” http://www.englishpage.com/verbpage/futureinpast.html
Passive Verbs – Been told to watch out for passive verbs ending in “ing?”
This pdf by American University is helpful: https://www.american.edu/provost/academic-access/upload/active-and-passive-verbs.pdf
This one explains the difference between active and passive: https://www.mckendree.edu/offices/writing-center/resources/grammar/passive-verbs/
Run-on Sentences – I’ve got two helpful sites for this problem:
http://writing.umn.edu/sws/quickhelp/grammar/runons.html
http://www.myenglishteacher.net/runonsentences.html
Sentence Fragments – Check out this resource:
https://www.sentencechecker.org/special-sentence-fragment-corrector/
Verb Tense Consistency – This educational site has a verb consistency test. https://www.tensedetector.com/verb-tense-consistency-checker/
Which English is it? Spelling and grammar different from country to country. – Here is info on the subtle differences between British, Canadian, and American English: http://www3.telus.net/linguisticsissues/BritishCanadianAmerican.htm
I know this isn’t a complete list of grammar problems, but they are definitely ones I see commonly in student assignments.
Photo courtesy of xandert on morguefile.com

Posted in Craft, The Nitty Gritty of Children's Writing

Illustrator Resources

boy illustrationThis collection is for my new illustrator friends–especially those who are just starting out.

In Print

Writing with Pictures: How to Write and Illustrate Children’s Books by Uri Shulevitz
How to Write and Illustrate Children’s Books and Get Them Published edited by Treld Bicknell
How to Write, Illustrate, and Design Children’s Books by Frieda Gates
Illustrating Children’s Books: Creating Pictures for Publication by Martin Salisbury

On the Web

The Blackwing Diaries by Jenny Lerew – follow her link to her sketchbook, too
Caldecott Award Winners
Coretta Scott King Book Awards
Creating a Storyboard Layout
Directory of Children’s Illustration
The Drawing Board for Illustrators
Dummies for Smarties on Yellapalooza – other good articles on this site, too
Gouache Resist by Laura McGee Kvasnosky
How I developed the idea for From Head to Toe by Eric Carle
How to be a Children’s Book Illustrator
How to Illustrate a Children’s Book – 3 articles:
– Creative Bloq
– Guide for Beginners
– Master Class
Mighty Art Demos – search by art medium, category, or artist’s name
Picture Book Database
Starting Out: Tips for Beginning Illustrators on Yellapalooza
Temple of the Seven Golden Camels


Have any more illustration links to add? Feel free to use the comment box.
Thanks to Xenia from morguefile for the above image.

Posted in Craft, Guest Post, The Nitty Gritty of Children's Writing

Nancy I. Sanders on Writing Nonfiction

June 5 SandersI keep running into writers who want to write nonfiction and have more questions than I can answer, so here’s an interview with Nancy I. Sanders who is well-established in this area:
What led you to write nonfiction?
In my book, Yes! You Can Learn How to Write Children’s Books, Get Them Published, and Build a Successful Writing Career, I explain a strategy I call the “Triple Crown of Success.” For this I always recommend writers be working on three separate manuscripts to meet three separate goals:
1) the goal to get published,
2) the goal to earn income, and
3) the goal of writing for personal fulfillment.

As I started to build my writing career, I discovered I could earn nice income writing nonfiction so I always try to be working on at least one nonfiction project while I’m working on manuscripts to meet my other two goals.

How do you usually get to write nonfiction books? Do you come up with the idea first or does the publisher? Or does it vary?
Sometimes a publisher sends an idea my way. The way I got the idea to write Frederick Douglass for Kids, however, was very typical of the way I come up with ideas for nonfiction books. I was browsing through a current catalog of this publisher and exploring the titles of their “For Kids” series. I noticed they had various famous Americans in their series such as George Washington for Kids and Benjamin Franklin for Kids. I realized they had a hole in their series and didn’t yet have a title on Frederick Douglass, one of the greatest leaders in America. So I queried the publisher and asked if they’d like to see a proposal on a potential new title called Frederick Douglass for Kids. They said “Yes!” and the rest is history.

What chances does a nonfiction children’s writer have of writing another book about a topic that already has numerous books written about it?
Actually, the chances are quite good, if you do your homework.
First, check the product line of the publisher you’d like to target. If they already have a book on this topic, perhaps they’d like one written with a fresh, unique angle.
And if your publisher doesn’t yet have a book on the topic you want to write about…chances are that if it’s a common topic, your publisher would like to have a book in their product line written on that topic, too! That was the case with this book.

In the books you write, do you use both primary and secondary sources?
It depends on each project. For this book, I used numerous primary sources that included Frederick Douglass’s autobiographies as well as many little-known books written by African American solders who fought during the Civil War as well as African American women who supported the troops as nurses or spies. I found amazing facts and stories I’d never read in any other history book about the Civil War! Plus I had lots of secondary sources of more current books that helped give an overview about the history of this era.

Do you have any favorite “go to” sources when you start a new project?
I like to gather other children’s nonfiction books on my new topic. This helps me develop my outline by referring to the table of contents in these books. Children’s books capture the top ten essential ingredients about a topic, so they’re great resources for developing an outline and a proposal in a short amount of time.

Then, if the proposal is accepted, I gather encyclopedias and primary sources on my topics to really dig in depth. Since I specialize in writing African American history for kids, I own over 200 research books in my own personal library that I’ve built over the years. It’s so helpful when I start a new project because I already have these resources at hand. My favorite resource is numerous books by Dr. Henry Louis Gates, Jr. including his encyclopedia set I own, African American National Biography.

How do you organize your research notes? On 3×5 cards, a notebook, on your computer?

The system that works best for me is that I first sit in a comfortable chair to read research books and jot down notes by hand on paper for about an hour to start my day.

Then I move over to my computer and type these notes into an ever-growing working outline. Then I print out these notes and other important notes such as information I’ve found and printed out from the Internet that day. I store these notes each day in a file folder, one file folder per chapter (or section within a chapter for a really long book). I store all these file folders in a pocket folder for handy reference when I need something from a specific chapter that I’ve printed out. This usually takes me another hour.
Then I sit at my computer and type new material for my book project for another hour or so, based on the research I just did.

This gives me at least 3 solid hours of writing each day.

Do you have any advice you’d give to someone who is just starting out and wants to write nonfiction?
Don’t be a “Lone Ranger” writer. Learn how to be a “piggyback” writer. I explain all about how this works in my book for children’s writers, Yes! You Can Learn How to Write Children’s Books… In a nutshell, if you want to experience breakthrough as a nonfiction writer, study publishers’ catalogs and look for series that are written by multiple authors and the copyright to each book is in the author’s name. Brainstorm 3-5 ideas for topics that can fit within that series. Then send a query to that publisher asking if they’d like to see a proposal on any of those topics to fit into their current series.
Not only does this help you land a contract to write a nonfiction book, but when your book comes out, everyone who is already buying the other books in the series will buy yours too, and you’ll see great sales! This is what I call being a “piggyback” writer. It’s in stark contrast to what I refer to as a “Lone Ranger” writer who just tries to find a publisher for her own idea and if it does get published has to try to market it on her name or that title alone with slow sales as a result.

What are you doing to celebrate the release of your book, Frederick Douglass for Kids?
I’m hosting a two-week virtual Book Launch Party! There are prizes to win, fun facts to learn, and lots of inside peeks and helpful tips about how a book is born. Stop by my site today to join in the party.
FrederickDouglassCover

Book Synopsis
Few Americans have had as much impact on this nation as Frederick Douglass. Born on a plantation, he later escaped slavery and helped others to freedom via the Underground Railroad. In time he became a bestselling author, an outspoken newspaper editor, a brilliant orator, a tireless abolitionist, and a brave civil rights leader. He was famous on both sides of the Atlantic in the years leading up to the Civil War, and when war broke out, Abraham Lincoln invited him to the White House for counsel and advice.
Frederick Douglass for Kids follows the footsteps of this American hero, from his birth into slavery to his becoming a friend and confidant of presidents and the leading African American of his day. And to better appreciate Frederick Douglass and his times, readers will form a debating club, cook a meal similar to the one Douglass shared with John Brown, make a civil war haversack, participate in a microlending program, and more. This valuable resource also includes a time line of significant events, a list of historic sites to visit or explore online, and web resources for further study.


More About Nancy

Nancy I. Sanders is the bestselling and award-winning author of over 80 books including America’s Black Founders, A Kid’s Guide to African American History, and D Is for Drinking Gourd: An African American Alphabet. She teaches other writers how to launch their career to the next level based on material found in her book for writers mentioned above. Nancy’s writing buddies, Sandman and Pitterpat (who just happen to be cats–see picture above) help bring laughter to her days. Learn more about Nancy here.