Heartless (Feiwel and Friends Book, 2016) by Marissa Meyer is quite the interesting look at Wonderland. Meet Catherine who has caught the eye of the unmarried King of Hearts, but would rather be a baker, plus she’s rather too fascinated by the king’s new joker. Cath’s parents, of course, want her to marry the king. But Cath knows she’s the best baker in the realm. What’s a girl to do?
There’s also the familiar character of the Cheshire Cat and the White Rabbit and the Jabberwocky, but not like you’ve ever seen before. I loved this story and had difficulty putting it down. I think Lewis Carroll would have approved. And I’d love to see it made into a movie.
Marissa Meyer is also the New York Times bestselling author of the amazing Lunar Chronicles. Read about them and the author here. Marissa’s newest book, Renegades, comes out in November.
Author: Susan Uhlig
How Do I Scare My Readers?
Bruce Hale aka the Writer Guy was asked these questions:
“I would like to hear from you, what tips can you give me for horror stories, whether novel or short story? How do I bring that horror feel to life? How can I keep my readers from sleeping for a few nights? How do I achieve the fear factor?”
And is allowing me to share his answers here:
Having just finished a horror series for kids (The Monstertown Mysteries), this topic is fresh in my mind. Creating a sense of horror is all about the expectation of something awful happening. As Alfred Hitchcock said, “There is no terror in the bang, only in the anticipation of it.”
From early on in your story, you should plant the seed in the reader’s mind that all is not well in this world, and then with each turn of the page, you bring that horror closer and closer. How? Here are four techniques:
1. Hide the monster
Take a tip from scary movies, and have the *effects* of the creature/ghost/whatever turn up much earlier than the creature itself does. You’ll notice we don’t see the shark in JAWS until well into the film. There’s a reason for that. Spielberg knows that the longer we delay the actual monster sighting, the more punch it will pack.
2. Mislead the reader
Be sure to employ a few red herrings, spots where you make us think that the creature is about to appear but it turns out to be the cat, a neighbor, or whatever. This can also be used if your hero is trying to figure out what’s behind the spooky happenings. Have them initially suspect the wrong people.
3. Hook ’em over and over
Horror is all about hooks. Your concept should hook your reader from the get-go. But that’s not the only hook to employ. Rather than having chapter endings resolve an issue, have them hook as well. End each chapter on a cliffhanger note of suspense, the equivalent of “and then…” in a picture book. Try this technique and you’ll have your readers flipping pages like mad.
4. Play on your fears
Have the source of horror in your story be something that particularly frightens your hero. If they’re clown-phobic, have them face sadistic clowns. If they’re kitten-phobic, have them encounter Evil Fluffy. Bonus points if you can draw from your own fears when building your hero. Because the more you feel it when you’re writing, the more your readers will feel it when they read.

Bruce Hale is the author-illustrator of over 45 seriously funny books for young readers, including the Clark the Shark tales (one of which ended up in a Happy Meal — not the way you think) and the award-winning Chet Gecko Mysteries. Find out about his newest series, the Monstertown Mysteries, online at: www.brucehale.com.
You are the ONLY person in the world who can write that exact book. Keep going.
You are the ONLY person
Best descriptions tend to be impressionistic, seizing on a few select details…letting the readers…do the rest.
Best descriptions tend to be
Prisoner of Ice and Snow
Prisoner of Ice and Snow (Bloomsbury Children’s Books, 2017) by Ruth Lauren is a compelling fantasy that I found difficult to put down.
Thirteen-year-old Valor wants to go to prison. It’s the only way she can save her twin sister, Sasha. So Valor does the only thing she can think of–shoots at the royal prince during a parade. She misses, but is sentenced to life in prison for threatening a royal’s life. Once in prison, however, she can’t find her sister. How can Valor and her sister escape if she can’t even find Sasha?
The book is a Junior Library Guild selection.
This is Ruth Lauren’s debut book. You can read about her on her website and see the UK cover, which I actually like better than the US cover. Her next book, Seeker of the Crown, comes out in 2018.